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This introductory volume presents an overview of the philosophy of film, a burgeoning sub-discipline of Aesthetics. It offers a sampling of paradigmatic instances of philosophers and philosophical film theorists discussing the movies in a fashion that takes cinema as seriously as any other Fine Art, leaving little doubt that doing philosophy of film is a serious intellectual enterprise.
Price: $23.00
Pages: 144
Publisher: Columbia University Press
Imprint: WallFlower Press
Series: Short Cuts
Publication Date:
25 December 2008
Trim Size: 8.00 X 6.00 in
ISBN: 9781905674701
Format: Paperback
BISACs:
PERFORMING ARTS / Film / History & Criticism, PHILOSOPHY / General
A thoughtful introduction to examining how philosophy responds to films, and how films explore philosophical ideas.
Daniel Shaw is professor of philosophy at Lock Haven University of Pennsylvania, where he is also the editor of Film and Philosophy, the journal of the Society for the Philosophic Study of the Contemporary Visual Arts (SPSCVA). His publications include, amongst others, Dark Thoughts: Philosophic Reflections on Cinematic Horror (2003).