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Filmosophy

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Filmosophy is a provocative new manifesto for a radically philosophical way of understanding cinema. It coalesces twentieth-century ideas of film as thought (from Hugo Münsterberg to Gilles Deleuze...
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  • 12 December 2006
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Filmosophy is a provocative new manifesto for a radically philosophical way of understanding cinema. It coalesces twentieth-century ideas of film as thought (from Hugo Münsterberg to Gilles Deleuze) into a practical theory of "film-thinking," arguing that film style conveys poetic ideas through a constant dramatic "intent" about the characters, spaces, and events of film. Discussing contemporary filmmakers such as Béla Tarr and the Dardenne brothers, this timely contribution to the study of film and philosophy will provoke debate among audiences and filmmakers alike.

FILMOSOPHY ® is a registered U.S. trademark owned by Valentin Stoilov (www.filmosophy.com) for educational services in the field of motion picture history theory and production. Mr. Stoilov is not the source or origin of this book and has not sponsored or endorsed it or its author.

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Price: $95.00
Pages: 256
Publisher: Columbia University Press
Imprint: WallFlower Press
Publication Date: 12 December 2006
Trim Size: 9.00 X 6.00 in
ISBN: 9781904764854
Format: Hardcover
BISACs: PERFORMING ARTS / Film / History & Criticism, PHILOSOPHY / Aesthetics
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[An] elegant, deftly argued book... Essential.
Daniel Frampton is a London-based writer and filmmaker and the founding editor of the online salon-journal, Film-Philosophy.com.

Acknowledgements
Introduction
Part One
1. Film Minds
2. Film-Beings
3. Film Phenomenology
4. Film Neominds
Part Two
5. Filmind
6. Film Narration
7. Film-Thinking
8. Filmgoer
9. Film Writing
10. Filmosophy
Conclusion
Notes
Bibliography
Index