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Finding Lost Wax

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This book is the first scholarly account of how lost wax casting was forgotten and rediscovered around the world thanks to transmission of know-how by Italian founders in the late nineteenth centur...
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  • 11 December 2020
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This book is the first scholarly account of how lost wax casting was forgotten and rediscovered around the world thanks to transmission of know-how by Italian founders in the late nineteenth century. Against this backdrop, Medardo Rosso, an Italian sculptor living in Paris, overturned rules of the technique through creative approaches to serial reproduction. His unusual casts prefigured experiments in casting in the modern era. The volume includes art-historical essays by distinguished scholars on the revival of lost wax casting in different countries and a case study of Rosso’s Bambino ebreo series, including scientific analysis and conservation studies.

Podcast interview with Sharon Hecker about this book: #HumanitiesMatter - Remodeling a Lost Wax Technique: The Methods of Medardo Rosso (brill.com).
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Price: $189.00
Pages: 352
Publisher: Brill
Imprint: Brill
Series: Studies in Art & Materiality
Publication Date: 11 December 2020
ISBN: 9789004434219
Format: Hardcover
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"The book is a mine of useful material. It is the best publication in English on the revival of lost-wax casting in the closing decades of the nineteenth century; it is an essential source for archival detail on Rosso; and it points a way forward for the use of scientific analysis in the study of variant casts."
Patrick Elliott in Sculpture Journal

"... the book is a solid addition to the growing literature of technical art history’s marriage to traditional art history, with interesting insights into Rosso’s working practice."
Jane R. Becker in Nineteenth-Century Art Worldwide
Sharon Hecker, Ph.D. U.C. Berkeley (1999), is a leading authority on Medardo Rosso. Her books include A Moment’s Monument: Medardo Rosso and the International Origins of Modern Sculpture and Postwar Italian Art History Today: Untying ‘The Knot’.