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Gender under Construction
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Gender performativity, its variances depending on their historical, social and cultural contexts, and the rituals, representations and institutions involved in gender performances are some of the i...
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29 March 2018

Gender performativity, its variances depending on their historical, social and cultural contexts, and the rituals, representations and institutions involved in gender performances are some of the issues the authors addressed in this collection. Gender under Construction takes a non-essentialist view of gender and provides illustrative examples of gender constructive processes by pursuing them in various contexts and by means of diverse methodologies. In so doing, the book demonstrates that it is unfeasible to consider gender as a fixed biological trait. Instead, the authors propose to look at gender performance as ongoing processes in which femininities and masculinities enter multiple and dynamic intersections with a myriad of categories, including those of nationality, ethnicity, class, sexuality and age.
Contributors are Iqbal Akthar, Renata Ćuk, Ewa Glapka, Deirdre Hynes, Borja Ibaseta, Martin King, Ana Cristina Moreira Lima, Mervi Patosalmi, Marcia Bastos de Sá, Andréa Costa da Silva, Vera Helena Ferraz de Siqueira, Christi van der Westhuizen and Isabelle V. Zinn.
Contributors are Iqbal Akthar, Renata Ćuk, Ewa Glapka, Deirdre Hynes, Borja Ibaseta, Martin King, Ana Cristina Moreira Lima, Mervi Patosalmi, Marcia Bastos de Sá, Andréa Costa da Silva, Vera Helena Ferraz de Siqueira, Christi van der Westhuizen and Isabelle V. Zinn.
Price: $69.00
Pages: 184
Publisher: Brill
Imprint: Brill
Series: At the Interface / Probing the Boundaries
Publication Date:
29 March 2018
ISBN: 9789004350762
Format: Paperback
Ewa Glapka has received her PhD degree from Adam Mickiewicz University and is currently a post-doctoral research fellow at the University of the Free State, South Africa. Her research interests include discourse and gender, media discourse, media reception, discursive psychology and qualitative sociology. In 2014, she published a book titled: Reading Bridal Magazines from a Critical Discursive Perspective (Palgrave Macmillan, 2014).
Barbara Braid has earned her PhD degree at Opole University, Poland, and currently holds a position of Assistant Lecturer in English at Szczecin University, Poland. She has published a number of book chapters and journal articles on neo-Victorian fiction, gender performativity, gothic studies and lesbian fiction. She has co-edited a two-volume collection of essays “Unity in Diversity” (Cambridge Scholars Publishing, 2013-14).
Barbara Braid has earned her PhD degree at Opole University, Poland, and currently holds a position of Assistant Lecturer in English at Szczecin University, Poland. She has published a number of book chapters and journal articles on neo-Victorian fiction, gender performativity, gothic studies and lesbian fiction. She has co-edited a two-volume collection of essays “Unity in Diversity” (Cambridge Scholars Publishing, 2013-14).