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Good White Queers?

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How do white queer people portray their own whiteness? Close readings of Dykes To Watch Out For and Stuck Rubber Baby by queer comic icons Alison Bechdel and Howard Cruse as well as Jaime Cortez’s ...
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  • 27 April 2021
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How do white queer people portray our own whiteness? Can we, in the stories we tell about ourselves, face the uncomfortable fact that, while queer, we might still be racist? If we cannot, what does that say about us as potential allies in intersectional struggles? A careful analysis of Dykes To Watch Out For and Stuck Rubber Baby by queer comic icons Alison Bechdel and Howard Cruse traces the intersections of queerness and racism in the neglected medium of queer comics, while a close reading of Jaime Cortez's striking graphic novel Sexile/Sexilio offers glimpses of the complexities and difficult truths that lie beyond the limits of the white queer imaginary.
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Price: $50.00
Pages: 332
Publisher: transcript publishing
Imprint: transcript publishing
Series: Queer Studies
Publication Date: 27 April 2021
Trim Size: 8.86 X 5.83 in
ISBN: 9783837649178
Format: Paperback
BISACs: SOCIAL SCIENCE / LGBTQ+ Studies / Gay Studies, SOCIAL SCIENCE / Discrimination, LITERARY CRITICISM / Comics & Graphic Novels
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Kai Linke, born in 1981, works as an educator in Berlin. He received his PhD in American studies from Humboldt University in Berlin. His work focuses on queer and trans issues, racism, and whiteness.

Frontmatter 1
Contents 5
Acknowledgements 9
1.1 What to Expect in this Book: A Very Brief Overview 13
1.2 A Few Words on Formal Decisions 16
1.3 How I Came to Write this Book 17
2.1 Why Comics? 21
2.2 Unequal Distributions of Power, Rights, and Resources 40
2.3 A Brief History of Intersectional LGBTIQ Politics in the U.S. 84
3.1 A "Chronicle of Lesbian Culture and History" 103
3.2 A Multicultural Universe with Whiteness at Its Center 107
3.3 Armchair Anti-Racism: A Post-Racial Lesbian Community in a Racist Society 121
3.4 White Lesbians as a Better Kind of White 136
3.5 Political Consequences of Dykes' Armchair Anti-Racism 157
3.6 Conclusion: When Fantasy Is Read as Fact 179
4.1 A Groundbreaking Work 183
4.2 A Window Seat to History? 185
4.3 'Gay Is the New Black:' A Dominant Discourse 189
4.4 Conservative Critiques 191
4.5 Common Intersectional Critiques 192
4.6 Further Intersectional Critiques 212
4.7 Conclusion: Stuck in a White Fantasy 249
5.1 "Decentering Whiteness" 253
5.2 Disidentifications with Homonationalist Discourses 255
5.3 Centering Resilience 287
5.4 By Way of Conclusion: Reading Sexile/Sexilio from a Place of (Relative) Privilege 296
6 CONCLUSION: THE LIMITS OF WHITE LGBTIQ SELF-REPRESENTATIONS 299
List of Works Cited 305