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1. Introduction – 1
Christian Henriot and Wen-hsin Yeh
2. Wartime Shanghai Refugees: Chaos, Exclusion, and Indignity. Do Images Make up for the Absence of Memory? – 12
Christian Henriot
3. Sha Fei, the Jin-Cha-Ji Pictorial, and the Documentary Style of Chinese Wartime Photojournalism – 55
Shana J. Brown
4. China, a Man in the Guise of an Upright Female: Photography, the Art of the Hands, and Mei Lanfang's 1930 Visit to the United States – 81
Catherine Yeh
5. The Sound of Images: Peddlers’ Calls and Tunes in Republican Peking – 111
Feng Yi
6. Never-Ending Controversies: The Case of Chun jiang yi hen and Occupation-Era Chinese Filmmaking – 143
Paul G. Pickowicz
7. "The Enemy Is Coming": The 28 January 1932 Attack on Shanghai in Chinese Cinema – 163
Anne Kerlan
8. Two Stars on the Silver Screen: The Metafilm as Chinese Modern – 191
Kristine Harris
9. Alternative History, Alternative Memory: Cinematic Representation of the Three Gorges in the Shadow of the Dam – 245
Sheldon H. Lu
Index – 259