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History on British television

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A unique and overdue insight and study into how the landscape, institutions and collective memory has influenced the representation of the past on British television from 1946 to the present day, p...
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  • 14 October 2015
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History on British television explores the production and consumption of factual history programming on British television. The chronological development of Western historiography is compared to phases of British television history production, highlighting how progressive developments in social and cultural trends have shaped what we make of the past and what the past makes of us.

Charting the rise and dominance of television history as a popular cultural form, the book examines how the past has become a model for citizenship, prioritising certain groups and classes, marginalising others. Clearly defined chapters deal with the battle between the BBC and its commercial rivals to become the ‘voice of the nation’.

Engaging, informed and easy to read, the book is intended for researchers, teachers and students interested in television and historical studies, as well as readers keen to understand how collective memory, television and history have become a potent propaganda mixture of stylised myths reinforcing nationality, identity and citizenship.

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Price: $45.95
Pages: 224
Publisher: Manchester University Press
Imprint: Manchester University Press
Series: Studies in Popular Culture
Publication Date: 14 October 2015
ISBN: 9780719099854
Format: Paperback
BISACs: European history, Social and cultural history
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there are books that become the standard works in their fields for a generation or more. I would be very surprised if 'History on British Television' and 'the BBC and National Identity in Britain' do not establish themselves as “must-read” works

, James Chapman, University of Leicester, Visual Culture in Britain, 31 January 2012

Robert Dillon has taught visual history for over twenty years, and after leaving Lancaster University where he was an Honorary Research Fellow in the Department of History, he remains a committed historian and a full-time writer

Introduction: Switching on the past
1. Whose past is it anyway?
2. Post-war television and history
3. The making of a popular commodity
4. Bringing the past alive
5. Truth or drama: documentary history
6. Characterising the past
7. Britain as a warrior-nation
8. Presenting the past
9. Nation, nationality and television history
Bibliography
Index of programme titles
General index