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This new issue of the Hitchcock Annual contains studies of Hitchcock and theater, Hitchcock's atheology, and the filmmaker's influence on the stalker genre. It features analyses of Rear Window and Gus Van Sant's shot-by-shot remake of Psycho, a dossier of To Catch a Thief, and an early essay by Hitchcock himself. The Hitchcock Annual will be published every spring, beginning in 2011 with Volume 17.
Price: $27.00
Pages: 178
Publisher: Hitchcock Annual
Imprint: Hitchcock Annual
Publication Date:
11 October 2010
Trim Size: 9.00 X 6.00 in
ISBN: 9780231156493
Format: Paperback
BISACs:
PERFORMING ARTS / Film / General
Hitchcock in 1928: The Auteur as Autocrat
An Autocrat of the Film Studio, by Alfred Hitchcock
A Perfect Place to Die? The Theatre in Hitchcock Revisited
Reflections on the Making of To Catch a Thief: André Bazin, Sylvette Baudrot, Grace Kelly,
Charles Vanel, and Brigitte Auber
What We Don't See, and What We Think It Means: Ellipsis and Occlusion in Rear Window
The Destruction That Wasteth at Noonday: Hitchcock's Atheology
Gus Van Sant's Mirror-Image of Hitchcock: Reading Psycho Backwards
Hitchcock, Unreliable Narration, and the Stalker Film