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“Lola Haskins’s range is broad; her perceptions are always surprising. Natural objects surpass themselves and episodes of women’s history are rewritten in this lively, adventuresome collection.”
—Maxine Kumin
“ . . . Hunger is a cabinet of crystals each one with a cutting edge. It’s a wonder.”
—Beloit Poetry Journal
“She knows we are rooted to the earth but long for the stars. . . . And she’s wise enough to know that love searches us out. Dazzling.”
—Northwest Arkansas Times
“[The poems] richly present the experience of women, as the complexity of their material, emotional, and imaginative lives presses against the constraints of their assigned roles. . . wonderfully evocative.”
—The Hudson Review
“. . . Convincing and exquisitely visual. It plays off a painterly use of visualization and technique even as it enacts the limits of such artistry in the face of real feeling. . . . It is the clarity of Haskins’s poems and (her speakers’) observations, combined with the sometimes elegant, sometimes searing restraint with which the observations are made, that gives these poems their impact.”
—Colorado Review
"Lola Haskins' range is broad; her perceptions are always surprising. Natural objects surpass themselves and episodes of women's history are rewritten in this lively. adventuresome collection."
—Maxine Kumin
"..Hunger is a cabinet of crystals each one with a cutting edge. It's a wonder."
—Beloit Poetry Journal
"She knows we are rooted to the earth but long for stars.... And she's wise enough to know that love searches us out. Dazzling."
—Northwest Arkansas Times
"[the poems] richly present the experience of women, as the complexity of their material, emotional, and imaginative lives presses against the constraints of their issigned roles... wonderfully evocative."
—The Hudson Review
"...convincing and exquisitely visual. It plays off a painterly use of visualization and technique even as it enacts the limits of such artistry in the face of real feeling.... It is the clarity off taskins' poems and her speakers' observations, combined with the sometimes elegant, sometimes searing restraint with which the observations are made, that gives these poems their impact."
—Colorado Review
Lola Haskins’ latest collection is Like Zeros, Like Pearls (Charlotte Lit Press, 2025)—poetry about insects Its predecessor, Homelight (Charlotte Lit, 2023), was named Poetry Book of the Year by Southern Literary Review. The one before that, Asylum (Pitt, 2019), was featured in the NYT Magazine and in The John Clare Journal. Past honors include two NEAs, the Iowa Poetry Prize, two Florida Book Awards, narrative poetry prizes from Southern Poetry Review and New England Review, a Florida's Eden prize for environmental writing, and the Emily Dickinson prize from Poetry Society of America.