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Reexamining the Chicano civil rights movement of the 1960s and 1970s, In the Spirit of a New People brings to light new insights about social activism in the twentieth-century and new lessons for progressive politics in the twenty-first. Randy J. Ontiveros explores the ways in which Chicano/a artists and activists used fiction, poetry, visual arts, theater, and other expressive forms to forge a common purpose and to challenge inequality in America.
Focusing on cultural politics, Ontiveros reveals neglected stories about the Chicano movement and its impact: how writers used the street press to push back against the network news; how visual artists such as Santa Barraza used painting, installations, and mixed media to challenge racism in mainstream environmentalism; how El Teatro Campesino’s innovative “actos,” or short skits,sought to embody new, more inclusive forms of citizenship; and how Sandra Cisneros and other Chicana novelists broadened the narrative of the Chicano movement. In the Spirit of a New People articulates a fresh understanding of how the Chicano movement contributed to the social and political currents of postwar America, and how the movement remains meaningful today.
Elegantly demonstrates the Chicano movement's irrefutable influenceona politically astute and enduring legacy of expressive culture. Randy J.Ontiverospersuasively argues thatmovimiento-inspired art and literature offer a crucial dose of historical consciousness required for sustaining struggles for social justice. A game-changing intervention in Chicano/a and American studies,Ontiveross book moves us beyond reductionist claims and rehashed debates to reinvigorate Chicano movement scholarship.
— Richard T. Rodriguez,author of Next of Kin: The Family in Chicano/a Cultural Politics
The books strengths lie in its reading of cultural texts, especially the visual work of Barraza; performances of El Teatro Campesino; and the writing of Cisneros, Rodolfo & Corky Gonzales, Enriqueta Vasquez, and others. Analyses of these varied works offer compelling support for Ontiveross larger argument that at least culturally the Chicano movement & didnt die at all. Contextualized in a broader history that dates to the Mexican Revolution of 1910, these examples provide persuasive evidence for the movements legacy beyond just demographic and electoral politics.
In the Spirit of a New People provides a thoughtful analysis of how the Chicano movementand social justice struggles more generallycan influence politics and culture.