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Institutions and Power in Nineteenth-Century French Literature and Culture
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The French Revolution of 1789 altered the face of power and the institutions it inhabited in France, and the aftershocks of this seismic change rippled throughout the nineteenth century. With power...
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01 January 2011

The French Revolution of 1789 altered the face of power and the institutions it inhabited in France, and the aftershocks of this seismic change rippled throughout the nineteenth century. With power changing hands between monarchy, empires and republics in quick succession, the nature of power, both personal and political, and institutions, both real and metaphorical, was constantly being redefined, argued over and fought for. This volume provides innovative analyses of nineteenth-century power relations in France across a series of interlinked spheres: artistic, literary, cultural, political, scientific and topographical. Its seventeen chapters trace the direct impact of politics and the shifting power of regimes on the creative arts, and explore power relations in a wide range of contexts including novels, sculpture, painting, education, religion, science, museums and exhibitions across a wide geographical area from Paris to the provinces, southern France and the colonies. The contributors, all experts in their fields, assess the evolving relationship between institutions and power in nineteenth-century France, exploring how the nation debates its past, negotiates its present and, as the foundation of the Third Republic ushers in a period of relative stability, sets about creating its common future.
Price: $132.00
Pages: 324
Publisher: Brill
Imprint: Brill
Publication Date:
01 January 2011
ISBN: 9789042033849
Format: Paperback
Dr David Evans is Lecturer in French at the University of St Andrews. He has published Rhythm, Illusion and the Poetic Idea: Baudelaire, Rimbaud, Mallarmé (Rodopi, 2004) and a series of articles on French poetry of the nineteenth and twentieth centuries.
Dr Kate Griffiths is Lecturer in French at Cardiff University. She has published a series of articles on adaptation in and of nineteenth-century French texts and is the author of a monograph entitled Emile Zola and the Artistry of Adaptation (Legenda, 2009). She is currently researching a monograph exploring the relationship between Zola’s novels and the small screen.
Dr Kate Griffiths is Lecturer in French at Cardiff University. She has published a series of articles on adaptation in and of nineteenth-century French texts and is the author of a monograph entitled Emile Zola and the Artistry of Adaptation (Legenda, 2009). She is currently researching a monograph exploring the relationship between Zola’s novels and the small screen.