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Intimate Voices: The Twentieth-Century String Quartet

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Leading authorities explore, in direct and accessible language, chamber-music masterpieces by twenty-one prominent composers since 1900.Modern composers as diverse as Béla Bartók, Maurice Ravel, Be...
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  • 31 December 2009
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Leading authorities explore, in direct and accessible language, chamber-music masterpieces by twenty-one prominent composers since 1900.

Modern composers as diverse as Béla Bartók, Maurice Ravel, Benjamin Britten, and John Cage have confided some of their most personal and intense thoughts to the medium of the string quartet. The resulting repertoire has won the allegiance of string players-and of listeners in the concert hall and at home. Yet, until now, no book has addressed the language of these remarkable works, their interactions with the masterpieces of Beethoven and others, and theirnew approaches to musical expression. Intimate Voices, organized in rough chronological order, offers the observations and intuitions of leading authorities on quartets by twenty-one composers from eleven countries. Its two volumes-available separately or together-comprise an indispensable guide to amateur and professional chamber musicians, scholars, students, and anyone seeking a deeper acquaintance with the great achievements of twentieth-century music.

Edited by Evan Jones, Associate Professor of Music Theory, Florida State University College of Music.
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Price: $130.00
Pages: 326
Publisher: Boydell & Brewer Inc.
Imprint: University of Rochester Press
Publication Date: 31 December 2009
Trim Size: 9.00 X 6.00 in
ISBN: 9781580462297
Format: Hardcover
BISACs: MUSIC / Genres & Styles / Chamber, Art music, orchestral and formal music, MUSIC / History & Criticism, MUSIC / Individual Composer & Musician, History of music, Music reviews and criticism
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In November 2010 Intimate Voices won the Society for Music Theory's Citation of Special Merit. This citation is awarded to 'editions, translations, reference works, or edited volumes of extraordinary value to the discipline.' The citation states: '[Intimate Voices] examines the string quartets of composers from Claude Debussy through Shulamit Ran, and including those of Berg, Bartok, Schoenberg, Prokofiev, Ligeti, Cage, Britten, Carter, Berio, and others. The twenty different contributing authors provide multiple analytical voices, resulting in a contrapuntal conversation much like the string quartet medium under review.
The String Quartets of Debussy and Ravel - Marianne Wheeldon
Sibelius's "Internal Voices": Structure and Process in the Quartet in D Minor (Voces Intimae), Op. 56 - Joseph C. Kraus
The Pitch Language of the Bartók Quartets - Joseph N. Straus
The String Quartet in the Music of Paul Hindemith - David Neumeyer
Comprehensibility, Variation, and the String Quartet Tradition: The Second Movement of Arnold Schoenberg's Third Quartet, Op. 30 - Matthew R. Shaftel
Process in the String Quartets of Alban Berg - David Headlam
Webern's Music for String Quartet - David Clampitt
Villa-Lobos's String Quartets - Eero Tarasti
Appropriate Tradition: The String Quartets of Sergei Prokofiev, Opp. 50 and 92 - Neil Minturn