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Diverse essays on the life and career of one of the greatest tragic actors of the nineteenth century.
Ira Aldridge -- a black New Yorker -- was one of nineteenth-century Europe's greatest actors. He performed abroad for forty-three years, winning more awards, honors, and official decorations than any of his professional peers. Billed as the "African Roscius," Aldridge developed a repertoire initially consisting of Shakespeare's Othello, melodramas about slavery, and farces that drew on his ability to sing and dance. By the time he began touring in Europe he was principally a Shakespearean actor, playing such classic characters as Shylock, Macbeth, Richard III, and King Lear.
Although his frequent public appearances made him the most visible black man in the world by mid-nineteenth century, today Aldridge tends to be a forgotten figure, seldom mentioned in histories of British and European theater. This collection restores the luster to Aldridge's reputation by examining his extraordinary achievements against all odds. The early essays offer biographical information, while later essays examine his critical and popular reception throughout the world. Taken together, these diverse approaches to Aldridge offer a fuller understanding and heightened appreciation of a remarkable man who had an exceptionally interesting life and a spectacular career.
Contributors: Cyril Bruyn Andrews, Nikola Batusic, Philip A. Bell, Keith Byerman, Ruth M. Cowhig, Nicholas M. Evans, Joost Groeneboer, Ann Marie Koller, Joyce Green MacDonald, Herbert Marshall, James J. Napier, Krzysztof Sawala, Gunner Sjögren, James McCune Smith, Hazel Waters, and Stanley B. Winters.
Bernth Lindfors is Professor Emeritus of English and African Literatures at The University of Texas at Austin.
Ira Aldridge -- a black New Yorker -- was one of nineteenth-century Europe's greatest actors. He performed abroad for forty-three years, winning more awards, honors, and official decorations than any of his professional peers. Billed as the "African Roscius," Aldridge developed a repertoire initially consisting of Shakespeare's Othello, melodramas about slavery, and farces that drew on his ability to sing and dance. By the time he began touring in Europe he was principally a Shakespearean actor, playing such classic characters as Shylock, Macbeth, Richard III, and King Lear.
Although his frequent public appearances made him the most visible black man in the world by mid-nineteenth century, today Aldridge tends to be a forgotten figure, seldom mentioned in histories of British and European theater. This collection restores the luster to Aldridge's reputation by examining his extraordinary achievements against all odds. The early essays offer biographical information, while later essays examine his critical and popular reception throughout the world. Taken together, these diverse approaches to Aldridge offer a fuller understanding and heightened appreciation of a remarkable man who had an exceptionally interesting life and a spectacular career.
Contributors: Cyril Bruyn Andrews, Nikola Batusic, Philip A. Bell, Keith Byerman, Ruth M. Cowhig, Nicholas M. Evans, Joost Groeneboer, Ann Marie Koller, Joyce Green MacDonald, Herbert Marshall, James J. Napier, Krzysztof Sawala, Gunner Sjögren, James McCune Smith, Hazel Waters, and Stanley B. Winters.
Bernth Lindfors is Professor Emeritus of English and African Literatures at The University of Texas at Austin.
Price: $36.95
Pages: 304
Publisher: Boydell & Brewer Inc.
Imprint: University of Rochester Press
Publication Date:
01 December 2010
Trim Size: 9.00 X 6.00 in
ISBN: 9781580463744
Format: Paperback
BISACs:
LITERARY COLLECTIONS / African, Anthologies: general
Succeeds at portraying Aldridge admirably. [.] Essential to scholars and researchers of theater and cultural history. It is a rewarding book, shedding light not only on the theater but also on race relations during a century fraught with issues of slavery and the attempt to eliminate human bondage.
Memoir and the Theatrical Career of Ira Aldridge, the African Roscius
Ira Aldridge (1860)
Men We Have Known: Ira Aldridge (1867)
"Nothing extenuate, nor set down aught in malice": New Biographical Information on Ira Aldridge
Ira Aldridge's Swedish Wife
"African Tragedian" in a Golden Prague: Some Unpublished Correspondence
A Garland of Love Letters
Ira Aldridge's Fight for Equality
Ira Aldridge in Manchester
Acting Black: Othello, Othello Burlesques, and t he Performance of Blackness
Ira Aldridge: Shakespeare and Minstrelsy
"Mislike me not for my complexion . . . ": Ira Aldridge in Whiteface
Ira Aldridge as Macbeth and King Lear
Creating the Black Hero: Ira Aldridge's The Black Doctor
The First American on the Zagreb Stage
A Heartwarming, Radiant Othello in the Netherlands, 1855
Ira Aldridge's Performances in Meiningen
"Othello's Occupation's Gone!": The African Roscius in Poland, 1853-67
Ira Aldridge (1860)
Men We Have Known: Ira Aldridge (1867)
"Nothing extenuate, nor set down aught in malice": New Biographical Information on Ira Aldridge
Ira Aldridge's Swedish Wife
"African Tragedian" in a Golden Prague: Some Unpublished Correspondence
A Garland of Love Letters
Ira Aldridge's Fight for Equality
Ira Aldridge in Manchester
Acting Black: Othello, Othello Burlesques, and t he Performance of Blackness
Ira Aldridge: Shakespeare and Minstrelsy
"Mislike me not for my complexion . . . ": Ira Aldridge in Whiteface
Ira Aldridge as Macbeth and King Lear
Creating the Black Hero: Ira Aldridge's The Black Doctor
The First American on the Zagreb Stage
A Heartwarming, Radiant Othello in the Netherlands, 1855
Ira Aldridge's Performances in Meiningen
"Othello's Occupation's Gone!": The African Roscius in Poland, 1853-67