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Japanese Woodblock Prints 1680 - 1980

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A major new survey of an internationally significant collection of Japanese woodblock prints.This wide-ranging volume brings together over seventy five significant woodblock prints from the collect...
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  • 15 April 2025
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A major new survey of an internationally significant collection of Japanese woodblock prints.

This wide-ranging volume brings together over seventy five significant woodblock prints from the collection of Worcester Art Museum, MA, spanning three hundred years, from the seventeenth century through the twentieth. Organized chronologically, it begins with rare, and in some cases unique, examples of Edo-period (1603–1868) woodblock ukiyo-e prints, many of which were sourced from the museum's seminal John Chandler Bancroft collection, donated in 1901. Encompassing a diverse range of sizes, materials, and subjects, among the renowned artists represented are Katsushika Hokusai, Utagawa Kunisada, Utagawa Hiroshige.

This volume then surveys later periods and artists associated with Japanese print output during the late nineteenth- and early twentieth-century Meiji (1868–1912) and Taishō (1912–1926) periods including many produced by artists working as part of the Shin-hanga "new prints" and Sōsaku-hanga "creative print" movements. The works from this time period include designs by such influential artists as Tsukioka Yoshitoshi, Kamisaka Sekka, Hashiguchi Goyo, Yoshida Hiroshi, Kōshirō Onchi and Ito Shinsui.

Finally, later post-war prints featured in the catalogue, dated to the 1950's onwards, manifest the influence of international art movements including Cubism, Surrealism and Popart.

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Price: $39.95
Pages: 136
Publisher: D Giles Limited
Imprint: GILES
Publication Date: 15 April 2025
Trim Size: 10.00 X 8.25 in
ISBN: 9781913875916
Format: Hardcover
BISACs: ART / Asian / Japanese, Prints & printmaking, ART / Collections, Catalogs, Exhibitions / Permanent Collections, ART / Prints, ART / Asian / General
REVIEWS Icon

"An accessible introduction to a major collection, and an invitation to linger, as one might in the gallery itself, a little longer before turning the page."—Joseph Rosalind-Hayat, The Japan Society Review

"This is a wonderful edition for any artist captivated by the floating world."—Lucy May Schofield ARE, Printmaking Today

Fiona Collins is curatorial researcher of Asian Art, Worcester Art Museum, MA.

Sarah E. Thompson is curator of Japanese Art, Museum of Fine Arts, Boston, MA.

Quintana Scherer is assistant professor, Kanagawa University, Yokohama, Japan.

  • Director's Foreword
  • Acknowledgments
  • Introduction by Fiona Collins
  • The Technology of Japanese Woodblock Prints by Sarah E. Thompson
  • Famous Places: Japanese Woodblock Prints at the Worcester Art Museum by Quintana Heathman Scherer
  • Catalogue
    Edo Period, 1601–1868 
    Meiji and Taisho Periods, 1868–1926 
    Shōwa Period, 1926–1989 
  • Glossary of Terms
  • Index
  • Photo Credits