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Wearied by his romanticized persona and worldwide fame, disgusted with his country and himself, Lawrence is craving normality. But when you're a brilliant archaeologist, scholar, linguist, writer and diplomat—as well as a legendary desert warrior—how can you ever be normal? An exploration of the afterlife of a legend, when being a hero has become a burden.
Howard Brenton, FRSL, is a renowned playwright and author. His many plays include The Ragged Trousered Philanthropists, adapted from the novel by Robert Tressell (Liverpool Everyman and Chichester Festival Theatre, 2010); Anne Boleyn (Shakespeare’s Globe, 2010 and 2011); 55 Days (Hampstead Theatre, 2012); #aiww: The Arrest of Ai Weiwei (Hampstead Theatre, 2013); Drawing the Line (Hampstead Theatre, 2013); Doctor Scroggy's War (Shakespeare's Globe, 2014); Lawrence After Arabia (Hampstead Theatre, 2016); The Blinding Light (Jermyn Street Theatre, 2017); The Shadow Factory (NST City, Southampton, 2018); Jude (Hampstead Theatre, 2019); Cancelling Socrates (Jermyn Street Theatre, London, 2022) and Churchill in Moscow (Orange Tree Theatre, Richmond, 2025).
He has collaborated severeal times with other writers (e.g., Moscow Gold with Tariq Ali, RSC, 1990), and has adapted various classics, particularly Strindberg's Dances of Death (Gate Theatre, 2013), Miss Julie (Theatre by the Lake, Keswick, and Jermyn Street Theatre, London, 2017), and Creditors (Theatre by the Lake, Keswick, and Jermyn Street Theatre, London, 2019). He has also writtne for the screen, most notably on the BBC1 drama series Spooks (2001–05; BAFTA Best Drama Series, 2003).