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Lifted

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Before skyscrapers forever transformed the landscape of the modern metropolis, the conveyance that made them possible had to be created. Invented in New York in the 1850s, the elevator became an ur...
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  • 14 February 2014
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Before skyscrapers forever transformed the landscape of the modern metropolis, the conveyance that made them possible had to be created. Invented in New York in the 1850s, the elevator became an urban fact of life on both sides of the Atlantic by the early twentieth century. While it may at first glance seem a modest innovation, it had wide-ranging effects, from fundamentally restructuring building design to reinforcing social class hierarchies by moving luxury apartments to upper levels, previously the domain of the lower classes. The cramped elevator cabin itself served as a reflection of life in modern growing cities, as a space of simultaneous intimacy and anonymity, constantly in motion.

In this elegant and fascinating book, Andreas Bernard explores how the appearance of this new element changed notions of verticality and urban space. Transforming such landmarks as the Waldorf-Astoria and Ritz Tower in New York, he traces how the elevator quickly took hold in large American cities while gaining much slower acceptance in European cities like Paris and Berlin. Combining technological and architectural history with the literary and cinematic, Bernard opens up new ways of looking at the elevator--as a secular confessional when stalled between floors or as a recurring space in which couples fall in love. Rising upwards through modernity, Lifted takes the reader on a compelling ride through the history of the elevator.

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Price: $45.00
Pages: 309
Publisher: NYU Press
Imprint: NYU Press
Publication Date: 14 February 2014
Trim Size: 9.00 X 5.00 in
ISBN: 9780814787168
Format: Hardcover
BISACs: HISTORY / General, ARCHITECTURE / History / General
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"Theres a great deal to admire in Bernards integration of evidence of various sorts, from building regulations and operator manuals to high literature, into a shrewd and versatile account of the transformative effect of the elevators irresistible rise on the social psychology of life in the modern metropolis from the 1870's to the 1930's. . . . For Bernard, the elevator is a Benjaminian street brought indoors and rotated on its axis: during the few seconds of ascent or descent, the perpetual & anaesthetising of attention allegedly required of the city-dweller becomes an acute anxiety."