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Louise Erdrich

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The first comprehensive treatment of Louise Erdrich’s writing in all its diversity. This book offers searching analysis of the common themes and contexts across Erdrich’s poetry, prose, memoirs, an...
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  • 01 September 2012
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Louise Erdrich is one of the most critically and commercially successful Native American writers. This book is the first fully comprehensive treatment of Erdrich’s writing, analysing the textual complexities and diverse contexts of her work to date. Drawing on the critical archive relating to Erdrich’s work and Native American literature, Stirrup explores the full depth and range of her authorship.

Breaking Erdrich’s oeuvre into several groupings - poetry, early and late fiction, memoir and children’s writing - Stirrup develops individual readings of both the critical arguments and the texts themselves. He argues that Erdrich’s work has developed an increasing political acuity to the relationship between ethics and aesthetics in Native American literatures. Erdrich’s insistence on being read as an American writer is shown to be in constant and mutually-inflecting dialogue with her Ojibwe heritage.

This sophisticated analysis is of use to students and readers at all levels of engagement with Erdrich’s writing.

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Price: $29.95
Pages: 225
Publisher: Manchester University Press
Imprint: Manchester University Press
Series: Contemporary American and Canadian Writers
Publication Date: 01 September 2012
ISBN: 9780719074271
Format: Paperback
BISACs: Biography: writers, Literature: history and criticism, Literary studies: fiction, novelists and prose writers
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David Stirrup is Lecturer in American Literature at the University of Kent

Acknowledgements
Abbreviations
1. Native American literature: authorship and authority
2. ‘I thought I would be sliced in two’: towards a geocultural poetics
3. Spatial relations: the Love Medicine tetralogy and Tales of Burning Love
4. From the cities to the plains: recent fiction
5. Working together, working apart: collaboration, (auto)biography, and pedagogy
Conclusion? Tradition, translation, and the global market for Native American literatures
Bibliography