Some error occured while loading the Quick View. Please close the Quick View and try reloading the page.
“John King is an adventurous avant-garde novelist. The sheer virtuosity of his language overflows with a richness of invention.” —Boyd Tonkin, The Independent
Best known for the social realism of novels such as The Football Factory, Human Punk, and London Country, John King’s writing also carries speculative strands, with his interest in dystopian fiction clear in several books. The Liberal Politics of Adolf Hitler took this further, and the main story in this collection, “Machine Elves Descending,” drives deep into the worlds of science fiction. As an alien spaceship approaches, pod-dweller Stretch scans the flatlands, hoping that the invaders will become bored and leave. Once the aliens have landed, Stretch becomes unsure, as new memories close in.
“Granny’s Letters” tells the story of an elderly widow waiting for an under-threat Post Office to deliver her mail. Granny Smith isn’t as frail as she appears, though. She knows how to dish out some righteous justice. “See No Evil” finds Jimmy Ramone released from prison and facing temptation, conscious that he must resist if he is to survive the night.
Plus . . .
“Writing the Canals”: finding inspiration in the local waterways. “A Very Corporate Coup”: an article that appeared in the New Statesman in the run-up to the EU referendum. “The Shed”: a trip into the famous Chelsea home end and the author’s youth. “May Day”: introduction to the London Books edition of John Sommerfield’s 1936 novel of the same name, republished as part of the London Classics series which John edits.
And featuring . . .
“Call Me Elvis,” an interview with the surrealist collagist and experimental novelist Allan Kausch. Books, beer, and punk rock . . . Animal rights, international travel, our spiritual paths . . . The Clash, Bowie, Pete Johnson . . . Alan Sillitoe, George Orwell, American fiction.
“The Liberal Politics of Adolf Hitler is one of the best, if not the best, bravest and most exciting books I’ve read in years—needed saying, needed writing and needs to be read.”
—David Peace
“Since his earliest football novels, through Human Punk and The Prison House, until his latest, London Country,
John King has etched out narrations of faith and conviction. He touches
on the human possibilities which lie over our vast, latent suburbs and
their county lines, of a Britain vibrant with life and vitality, a
Britain which most writers ignore, but which is firm in identity and
sensitive to history. His complete work is far more complex—even more
mysterious—than any casual comment presumes.”
—Alan Warner
“One of England’s finest writers, John King, has just written his greatest book. Slaughterhouse Prayer is amazing and totally mental, as well as being passionate and big-hearted. It will blow you away.”
—Irvine Welsh
“With a brutally brilliant imagination, The Prison House takes you to a place where angels fear to tread. Go there and be redeemed.”
—Brian Keenan
“In its ambition and exuberance, Human Punk is a league ahead of much contemporary English fiction.”
—New Statesman
“At the heart of White Trash
is the secular wonder of socialised medicine, that most significant
symbol of human civilisation. . . . The cumulative effect of King’s
style, with streams of monologue, alternating between Ruby and Jeffreys,
is astonishingly powerful in its detail and depth. This is an immensely
timely and necessary book; stylish, witty and passionate. It’s about
time someone slapped the smugness from the face of broadsheet Britain.”
—The Independent