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In Trying It On, it's 1968. David is 20. It is the height of the worldwide student revolt. The Vietnam war rages. Enoch Powell delivers his "Rivers of Blood" speech. Martin Luther King is assassinated. These events will define David's politics and give focus to his writing.
It's 50 years on. The 70-year-old is confronted by the 20-year old. Do they share the same beliefs? If not, is it the world that's changed, or him?
David Edgar is a leading UK playwright and author of many original plays and adaptations. He also pioneered the teaching of playwriting in the UK, founding the Playwriting Studies course at Birmingham University in 1989 and serving as the program's director for a decade. He is the author of several books, including How Plays Work (Nick Hern Books, 2009; revised 2021). His plays include: The New Real (Royal Shakespeare Company / Headlong, 2024); Here in America (Orange Tree Theatre, 2024); A Christmas Carol, adapted from the story by Charles Dickens (Royal Shakespeare Company, 2017); If Only (Minerva Theatre, Chichester, 2013); Written on the Heart (RSC, 2011); a version of Ibsen's The Master Builder (Minerva Theatre, Chichester, 2013); Arthur and George, adapted from the novel by Julian Barnes (Birmingham Rep and Nottingham Playhouse, 2010); Testing the Echo (Out of Joint, 2008); A Time to Keep, written with Stephanie Dale (Dorchester Community Players, 2007); Playing With Fire (National Theatre, 2005); Continental Divide (US, 2003); The Prisoner's Dilemma (RSC, 2001); Albert Speer, based on Gitta Sereny's biography of Hitler's architect (National Theatre, 2000); Dr. Jekyll and Mr. Hyde (Birmingham Rep, 1996); Pentecost (RSC, 1994); The Shape of the Table (National Theatre, 1990); and Maydays (1983). His work for television and film includes adaptations of his play Destiny, screened by the BBC in 1978, and The Jail Diary of Albie Sachs, televised by the BBC in 1981, as well the screenplay for the film Lady Jane (1986). He has also authored several radio plays.