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On 7 January 2015, the day of the murderous attack on the offices of the Paris satirical weekly Charlie Hebdo, the cover of the current issue showed a drunken Michel Houellebecq in a wizard’s cap making two prophecies: “In 2016 I will lose my teeth. In 2022 I will observe Ramadan.” Houellebecq had previously described Islam as “the stupidest of religions.” But on that day, as terrorists sought to bring the justice of Islam to blasphemers for whom Michel Houellebecq was insufficiently anti-Islamic, Houellebecq’s novel Submission, depicting the democratic conquest of France by the Muslim Brotherhood, was published by Flammarion.
In this collection, an international cast of authorities on politics and literature discuss the meaning and unprecedented impact of Michel Houellebecq’s Submission.
Price: $126.00
Pages: 224
Publisher: Brill
Imprint: Brill
Publication Date:
11 November 2021
ISBN: 9789004498129
Format: Hardcover
“Several [chapters] are truly exceptional and help the reader view both the novel in question and the world it portrays in new ways. Nearly all get to grips with the fact that ‘no other work of fiction published in the last fifty years has had the impact of Houellebecq’s Submission. While critics are divided about the literary value of the book, nobody doubts its effects at the political or ideological level.’”
- Henry George, in: Voegel in View, March 2022
"[This book] features ten essays on this most notorious novel, all of which are written with the sound of gunfire echoing in the background. This slim novel 'reflected current and dramatic political developments in real time and, at the same, explored the philosophical, ideological, and psychological meaning of these events and wove them into the fabric of European art and literature'. [..] The tragic and violent backdrop against which these essays are presented is a stark contrast with the academic tone of the essays and their arguments. This is both necessary to gain some perspective on a complex novel, and to gain some detachment from real-world events. The detached tone in this book matches that of Francois, the narrator in Submission. This does not detract from the substance and force of many of the arguments, however: impact is not always felt from polemic." - Henry George, in: VoegelinView.com, March 2022
- Henry George, in: Voegel in View, March 2022
"[This book] features ten essays on this most notorious novel, all of which are written with the sound of gunfire echoing in the background. This slim novel 'reflected current and dramatic political developments in real time and, at the same, explored the philosophical, ideological, and psychological meaning of these events and wove them into the fabric of European art and literature'. [..] The tragic and violent backdrop against which these essays are presented is a stark contrast with the academic tone of the essays and their arguments. This is both necessary to gain some perspective on a complex novel, and to gain some detachment from real-world events. The detached tone in this book matches that of Francois, the narrator in Submission. This does not detract from the substance and force of many of the arguments, however: impact is not always felt from polemic." - Henry George, in: VoegelinView.com, March 2022
Michael S. Kochin, PhD University of Chicago, 1996. Teaches politics, literature and film at Tel Aviv University. His most recent book (with the historian Michael Taylor): An Independent Empire: Diplomacy & War in the Making of the United States (2020).
Alberto Spektorowski, PhD Hebrew University Jerusalem, 1996. Teaches comparative politics at Tel Aviv University. His most recent book (with Dafna Elfersy): From multiculturalism to democratic discrimination: The Challenge of Islam and the re-emergence of Europe’s nationalism (Michigan, 2020).
Alberto Spektorowski, PhD Hebrew University Jerusalem, 1996. Teaches comparative politics at Tel Aviv University. His most recent book (with Dafna Elfersy): From multiculturalism to democratic discrimination: The Challenge of Islam and the re-emergence of Europe’s nationalism (Michigan, 2020).