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Milady
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20 April 2027

SOON TO BE A MAJOR MOTION PICTURE
Milady doesn’t cry. She takes revenge.
“This portrait of a free woman is heartrending, magnificent... A true jewel! Alexandre Dumas would recognize his own heroine in Clermont-Tonnerre’s creation. A gripping novel.”—France 2
Together with Shakespeare’s Iago and Milton’s Satan, Milady de Winter is among literature’s most infamous villains. She is the enigmatic woman whose poisonous beauty, ineffable intelligence, and bloodcurdling ruthlessness haunt the pages of The Three Musketeers. Yet in Dumas’s beloved classic she remains a foil, a symbol of female perfidy and dark power rather than a fully realized woman with her own story and her own rich inner life.
Milady de Winter was once Anne, a child fleeing poverty and male violence. In a kingdom ruled by kings, cardinals, and men with swords, survival demands constant reinvention. Names become disguises. Love becomes leverage. Every act comes with a price. From this world of intrigue and menace, Milady de Winter emerges.
As Milady navigates the perils of seventeenth-century France, moving from convents and noble households to the shadowy networks of Cardinal Richelieu’s spies, she discovers that true power is rarely granted to women—it must be seized, or stolen, and then concealed.
Winner of France’s prestigious Prix Renaudot, Milady is neither a retelling nor a correction of Dumas’s novel. Instead, Clermont-Tonnerre has created something entirely new and remarkable by giving voice to Anne de Winter and transforming a legendary villain into a complicated and compelling heroine. With extraordinary narrative and emotional intelligence, Milady brings the swashbuckling world of Bourbon France to life, combining an exhilarating adventure with a profound meditation on power, justice, and the erasure of women’s stories. An unforgettable portrait of one woman determined to overcome everything thrown at her, even the limitations of her own creator.
“Clermont-Tonnerre brings extraordinary energy, intimacy, and real panache to her reinvention of Dumas’ swashbuckling novel—while avoiding pastiche or parody.”— Le Monde
“A gripping novel, animated by epic storytelling... a resolutely anti-patriarchal rereading of the original.”— Télérama
“Panache worthy of Dumas himself.” —Le Point
“Adélaïde de Clermont-Tonnerre slips into the gaps left by Alexandre Dumas in The Three Musketeers. Milady is a great swashbuckling tale, with a distinctly feminine touch.”—Le Figaro
“A passionate reflection on the lives of women and an epic adventure marked from the outset by tragedy and fate. Clermont-Tonnerre renders Milady more human, complex, and tormented than ever. A deeply affecting novel that completely recasts a story we thought we knew—when in fact, we had only ever heard the men’s version.”—Corriere della Sera
“A novel that overturns our perspective on Dumas’s famous character, transforming his diabolical antagonist into a complex, free woman.... Relentlessly paced and full of adventure.”—Mangialibri
“The most hated female villain in French literature, Milady courses like poison through the adventures of D’Artagnan and his companions. Clermont-Tonnerre gives her voice and dignity, telling us what Dumas left unsaid: who she was, who she had been before becoming Milady, and where her thirst for revenge came from.”—La Stampa