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Mise-en-scène

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In uncovering the history of mise-en-scène within film criticism, and through the detailed exploration of scenes from films as Imitation of Life and Lone Star, John Gibbs makes the case for the importance of a...
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  • 06 March 2002
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Mise-en-scène: Film Style and Interpretation explores and elucidates constructions of this fundamental concept in thinking about film. In uncovering the history of mise-en-scène within film criticism, and through the detailed exploration of scenes from films as Imitation of Life and Lone Star, John Gibbs makes the case for the importance of a sensitive understanding of film style, and provides an introduction to the skills of close reading. This book thus celebrates film-making as well as film criticism that is alive to the creative possibilities of visual style.
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Price: $21.00
Pages: 144
Publisher: Columbia University Press
Imprint: WallFlower Press
Series: Short Cuts
Publication Date: 06 March 2002
ISBN: 9781903364062
Format: Paperback
BISACs: PERFORMING ARTS / Film / History & Criticism, PERFORMING ARTS / Film / Direction & Production
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John Gibbs is lecturer in film and television studies at the London College of Printing, the London Institute.

Introduction
1. The Elements of Mise-en-Scène
2. The Interaction of Elements
3. Coherent Relationships
4. Investigations in the Critical History of Mise-en-Scène
5. Mise-en-Scène and Melodrama
6. Case Study: Imitation of Life
Conclusion
Appendix
Notes
Bibliography
Index