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One of the defining features of modernism lies in its far-reaching rethinking of the relation between the human and the non-human. In the present volume, this crucial aspect of modernism’s legacy is investigated from an authentically transnational perspective, taking an innovative stance on a diverse range of authors – from posthumanist classics such as Beckett and Woolf to Valentine de Saint-Point, Radoje Domanovic and Aldo Palazzeschi among others.
On the one hand, this collection sheds new light on the modernist contribution to posthumanism, providing a valuable reference point for future studies on the topic. On the other, it offers a new take on the transnational dimension of modernism, highlighting unexplored convergences between modernist authors from several different national contexts.
On the one hand, this collection sheds new light on the modernist contribution to posthumanism, providing a valuable reference point for future studies on the topic. On the other, it offers a new take on the transnational dimension of modernism, highlighting unexplored convergences between modernist authors from several different national contexts.
Price: $131.00
Pages: 306
Publisher: Brill
Imprint: Brill
Series: Critical Posthumanisms
Publication Date:
11 October 2023
ISBN: 9789004549678
Format: Hardcover
Alberto Godioli is Associate Professor in European Culture and Literature at the University of Groningen, and Programme Director of the Netherlands Research School for Literary Studies (OSL). His publications on modernism include Laughter from Realism to Modernism (2015) and La scemenza del mondo (2011; Edinburgh Gadda First Prize). He is principal investigator of an NWO Vidi project on humor and
free speech jurisprudence (2022-2027), and founder of the Forum for Humor and the Law (www.forhum.org).
Carmen van den Bergh is Assistant Professor in Italian Literature at the Leiden University Centre for Arts in Society (LUCAS) in the Netherlands, where she is director of the Italian Language and Culture Department. Simultaneously she works in Belgium at the University of Leuven (KU Leuven) as a senior research fellow for the Flemish Council for Scientific Research (FWO) with a project on the role of writers in newspapers and magazines of the Italian Novecento. Her specializations include Italian modernism, prose writings during the Italian interwar, (neo)realism in film and literature, the literary canon and the function of anthologies.
Carmen van den Bergh is Assistant Professor in Italian Literature at the Leiden University Centre for Arts in Society (LUCAS) in the Netherlands, where she is director of the Italian Language and Culture Department. Simultaneously she works in Belgium at the University of Leuven (KU Leuven) as a senior research fellow for the Flemish Council for Scientific Research (FWO) with a project on the role of writers in newspapers and magazines of the Italian Novecento. Her specializations include Italian modernism, prose writings during the Italian interwar, (neo)realism in film and literature, the literary canon and the function of anthologies.