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Three Centuries of American Art in 1938 was the Museum of Modern Art’s first international exhibition. With over 750 artworks on view in Paris ranging from seventeenth-century colonial portraits to Mickey Mouse and spanning architecture, film, folk art, painting, prints, and sculpture, it was the most comprehensive display of American art to date in Europe and an important contributor to the internationalization of American art. MoMA Goes to Paris in 1938 explores how, at a time when the concept of artworks as “masterpieces” was very much up for debate, the exhibition expressed a vision of American art and culture that was not only an art historical endeavor but also a formulation of national identity. Caroline M. Riley demonstrates in what ways, at the brink of international war in the politically turbulent 1930s, MoMA collaborated with the US Department of State for the first time to deploy works of art as diplomatic agents.
Acknowledgments
Introduction
1. What Was Three Centuries of American Art?
2. Loaning across Oceans: Symbolism, Risk, and Value
3. Creating a Contemporary American Art History across Centuries
4. Art on Paper
Conclusion
Appendix: Tables of Artworks Included in Three Centuries of American Art
List of Abbreviations
Notes
Selected Bibliography
List of Illustrations
Index