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Monument Wars

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The National Mall in Washington, D.C., is “a great public space, as essential a part of the American landscape as the Grand Canyon,” according to architecture critic Paul Goldberger, but few realiz...
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  • 11 July 2011
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The National Mall in Washington, D.C., is “a great public space, as essential a part of the American landscape as the Grand Canyon,” according to architecture critic Paul Goldberger, but few realize how recent, fragile, and contested this achievement is. In Monument Wars, Kirk Savage tells the Mall's engrossing story—its historic plan, the structures that populate its corridors, and the sea change it reveals regarding national representation. Central to this narrative is a dramatic shift from the nineteenth-century concept of a decentralized landscape, or “ground”-heroic statues spread out in traffic circles and picturesque parks-to the twentieth-century ideal of “space,” in which authority is concentrated in an intensified center, and the monument is transformed from an object of reverence to a space of experience. Savage's lively and intelligent analysis traces the refocusing of the monuments themselves, from that of a single man, often on horseback, to commemorations of common soldiers or citizens; and from monuments that celebrate victory and heroism to memorials honoring victims. An indispensable guide to the National Mall, Monument Wars provides a fresh and fascinating perspective on over two hundred years of American history.
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Price: $29.95
Pages: 408
Publisher: University of California Press
Imprint: University of California Press
Publication Date: 11 July 2011
Trim Size: 10.00 X 7.00 in
ISBN: 9780520271333
Format: Paperback
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"A highly original and very important study of the monuments of Washington and their evolution over the past couple of centuries. . . . The book will make you go back to the National Mall, but you'll never again see it in quite the same light."
Kirk Savage is Associate Professor and Chair of the Department of Art and Architecture at the University of Pittsburgh. He is the author of Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth-Century America.
Acknowledgments
Introduction
1. A Monument to a Deceased Project
2. Covering Ground
3. The Mechanic Monster
4. Inventing Public Space
5. The Monument Transformed
6. The Conscience of the Nation
7. An End to War, an End to Monuments?
Notes
Selected Bibliography
List of Illustrations
Index