Mulroney & Others provides glimpses of Wormser's childhood, adolescence, and adulthood, as well as accounts of Vietnam vets and draft dodgers, socialites and outcasts. Loyal readers will welcome his trademark poise, the elegant balance he achieves with understatement both metrically deft and intellectually intricate. These poems prove Anaïs Nin's insight that "We don't see things as they are, we see them as we are."

Wormser's invitation to engage ourselves in seeing is irresistible, especially as he models the process with such impassioned interest. "'I know,' everyone is saying at once/To one another and the word-riddled universe. . . ." he writes. His poems tempt us to trade the obscurity of facile assumption for the powerful illumination of wonder. In Wormser's words, the universe is irrefutably personal.

Baron Wormser is the author of four previous collections of poetry: The White Words (Houghton Mifflin, 1983), Good Trembling (Houghton Mifflin, 1985), Atoms, Soul Music, and Other Poems (Paris Review Editions, 1989), When (Sarabande Books, 1997), and co-author of Teaching the Art of Poetry: The Moves (Lawrence Erlbaum Associates, 1999). His poems, essays, and reviews have appeared in a wide variety of journals including The Paris Review, Sewanee Review, The New Republic, Harper's, and Poetry. He has received fellowships from the National Endowment for the Arts and the John Guggenheim Memorial Foundation. He lives with his wife in Hallowell, Maine.

"The particular gift in Wormser's work is in the narrative. . . . He is poised to record, to expose, to express, not to pounce. The language can sometimes ambush a reader with wonder, but Wormser never breaks a sweat. . . . Mulroney & Others is one of those rare books of poetry that will have resonance in the lives of nearly every reader. . . (he) mixes just the right amount of cleverness with a smart appreciation for language, humor, humanity, pain and love."-Ba