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Music and Democracy
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27 November 2021

»Whilst quite a few academic works in this field adopt a clearly supportive or critically dismissive stance, Dražić’s account is by no means biased, but is characterised by a broad perspective, drawing on a very convincingly applied theoretical toolkit (discourse-analytical concepts, contextual analysis, descriptive models of social units). […] A highly recommended book! « (translated from German)
Marko Kölbl (PhD) is an ethnomusicologist and senior scientist at the Department of Folk Music Research and Ethnomusicology at mdw - University of Music and Performing Arts Vienna. He is specialized in music and dance of minorities and migrant communities with an interest in intersectional, queer-feminist, and postcolonial perspectives.
Fritz Trümpi (Dr. phil.) is a musicologist and associate professor at the Department of Musicology and Performance Studies at mdw - University of Music and Performing Arts Vienna. His research focuses on the history of music industries and musicians' organisations, music & politics, and music culture(s) of the late Habsburg Empire and its successor states.
Frontmatter 1
Contents 5
Ambivalences in Music and Democracy: Introductory Remarks 7
Entrepreneurial Tapists 19
New Model, Same Old Stories? 61
The National Society of Music (1915-1922) and the Ambivalent Democratization of Music in Spain 87
Verdi at the Heart of the Dictatorship 107
The Intervision Song Contest 141
"Vodka, Beer, Papirosy" 157
Disembodiment and South Asian Performance Cultures 175
Music Activism in Serbia at the Turn of the Millennium 203
Expanding Musical Inclusivity 235
About mdwPress 267