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Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common.
What was musical life at German courts really like during the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of "snapshots"- in effect "core sample" years - which highlight both individualand shared patterns of development and decline.
What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring acast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common.
SAMANTHA OWENS is Senior Lecturer in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia.
Contributors: DIETER KIRSCH, URSULA KRAMER, MICHAEL MAUL, MARY OLESKIEWICZ, SAMANTHA OWENS, RASHID-S. PEGAH, BÄRBEL PELKER, BARBARA M. REUL, WOLFGANG RUF, BERT SIEGMUND, JANICE B. STOCKIGT, MICHAEL TALBOT, RÜDIGER THOMSEN-FÜRST, ALINA ZORAWSKA-WITKOWSKA, STEVEN ZOHN
What was musical life at German courts really like during the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of "snapshots"- in effect "core sample" years - which highlight both individualand shared patterns of development and decline.
What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring acast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common.
SAMANTHA OWENS is Senior Lecturer in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia.
Contributors: DIETER KIRSCH, URSULA KRAMER, MICHAEL MAUL, MARY OLESKIEWICZ, SAMANTHA OWENS, RASHID-S. PEGAH, BÄRBEL PELKER, BARBARA M. REUL, WOLFGANG RUF, BERT SIEGMUND, JANICE B. STOCKIGT, MICHAEL TALBOT, RÜDIGER THOMSEN-FÜRST, ALINA ZORAWSKA-WITKOWSKA, STEVEN ZOHN
Price: $190.00
Pages: 504
Publisher: Boydell & Brewer Inc.
Imprint: Boydell Press
Publication Date:
17 March 2011
Trim Size: 9.21 X 6.14 in
ISBN: 9781843835981
Format: Hardcover
BISACs:
MUSIC / History & Criticism, History of music, MUSIC / Genres & Styles / Classical, Music reviews and criticism, Art music, orchestral and formal music
Ultimately, this book is to be highly recommended: it will make a valuable and indispensable addition to the libraries of both scholars of eighteenth-century music and those from other disciplines who want to expand their knowledge of the role of music [...] in the self-fashioning and sustenance of European monarchic structures.
This book is one of the most important contributions to our understanding of the context of the music most familiar to musicians and concert-goers today. [...] The editors have gathered an expert team; their own contributions are paradigms of accessibility. I commend this important book to every serious musician's book shelf.
The editors of this volume are [...] to be congratulated on assembling a systematically organized collection of essays by an impressive international panel of scholars, each of whom is an expert on a particular court and its archival sources. [...] It includes much new and occasionally surprising information, and a substantial amount of material made available in English for the first time.
The detail presented in this book is remarkable [...] a useful book which extends our knowledge of courtly music-making in Germany during this time, and it will undoubtedly be of value to scholars of the period.
[A] valuable resource for any historical musicologist investigating this extraordinarily productive and fascinating period of German music history, and I hope it encourages and enables more research in this area, and ultimately more performances of its many forgotten treasures.
[T]he treasures in [the book's] 500 pages will satisfy a whole range of other music historical interests for years to come. The personnel lists, mini biographies and sheer number of name references to rulers and the musicians in their employ are invaluable.
[A] fascinating picture emerges of the birth and nurture of a rich musical tradition which continues today in democratic form with the unequalled wealth of German musical performance in virtually every German town.
[T]his valuable book provides a reliable source of information for anyone interested in 18th-century music in Germany. [...] there is an abundance of knowledge here from which everyone can draw.
This book is one of the most important contributions to our understanding of the context of the music most familiar to musicians and concert-goers today. [...] The editors have gathered an expert team; their own contributions are paradigms of accessibility. I commend this important book to every serious musician's book shelf.
The editors of this volume are [...] to be congratulated on assembling a systematically organized collection of essays by an impressive international panel of scholars, each of whom is an expert on a particular court and its archival sources. [...] It includes much new and occasionally surprising information, and a substantial amount of material made available in English for the first time.
The detail presented in this book is remarkable [...] a useful book which extends our knowledge of courtly music-making in Germany during this time, and it will undoubtedly be of value to scholars of the period.
[A] valuable resource for any historical musicologist investigating this extraordinarily productive and fascinating period of German music history, and I hope it encourages and enables more research in this area, and ultimately more performances of its many forgotten treasures.
[T]he treasures in [the book's] 500 pages will satisfy a whole range of other music historical interests for years to come. The personnel lists, mini biographies and sheer number of name references to rulers and the musicians in their employ are invaluable.
[A] fascinating picture emerges of the birth and nurture of a rich musical tradition which continues today in democratic form with the unequalled wealth of German musical performance in virtually every German town.
[T]his valuable book provides a reliable source of information for anyone interested in 18th-century music in Germany. [...] there is an abundance of knowledge here from which everyone can draw.
Foreword by Michael Talbot
'Das gantze Corpus derer...musicirenden Personen': An Introduction to German Hofkapellen -
'Das gantze Corpus derer...musicirenden Personen': An Introduction to German Hofkapellen - Barbara Reul
The Court of Saxony-Dresden - Janice Stockigt
The Saxon Court of the Kingdom of Poland - Alina Zorawska-Witkowska
The Court of Brandenburg-Prussia - Mary Oleskiewicz
The Palatine Court in Mannheim - Bärbel Pelker
The Court of Württemberg-Stuttgart -
The Court of Saxony-Gotha-Altenburg - Bert Siegmund
The Courts of Saxony-Weissenfels, Saxony-Merseburg and Saxony-Zeitz - Wolfgang Ruf
The Court of Anhalt-Zerbst - Barbara Reul
The Court of Sondershausen - Michael Maul
The Court of Würzburg - Dieter Kirsch
The Court of Hesse-Darmstadt - Ursula Kramer
The Court of Baden-Durlach in Karlsruhe - Rüdiger Thomsen-Fürst
The Court of Brandenburg-Culmbach-Bayreuth - Rashid-S Pegah
'Die vornehmste Hof-Tugend': German Musicians' Reflections on Eighteenth-Century Court Life -
'Das gantze Corpus derer...musicirenden Personen': An Introduction to German Hofkapellen -
'Das gantze Corpus derer...musicirenden Personen': An Introduction to German Hofkapellen - Barbara Reul
The Court of Saxony-Dresden - Janice Stockigt
The Saxon Court of the Kingdom of Poland - Alina Zorawska-Witkowska
The Court of Brandenburg-Prussia - Mary Oleskiewicz
The Palatine Court in Mannheim - Bärbel Pelker
The Court of Württemberg-Stuttgart -
The Court of Saxony-Gotha-Altenburg - Bert Siegmund
The Courts of Saxony-Weissenfels, Saxony-Merseburg and Saxony-Zeitz - Wolfgang Ruf
The Court of Anhalt-Zerbst - Barbara Reul
The Court of Sondershausen - Michael Maul
The Court of Würzburg - Dieter Kirsch
The Court of Hesse-Darmstadt - Ursula Kramer
The Court of Baden-Durlach in Karlsruhe - Rüdiger Thomsen-Fürst
The Court of Brandenburg-Culmbach-Bayreuth - Rashid-S Pegah
'Die vornehmste Hof-Tugend': German Musicians' Reflections on Eighteenth-Century Court Life -