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Narrative and Stylistic Patterns in the Films of Stanley Kubrick

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A critical study of the films of Stanley Kubrick, one of the great directors of the century.García Mainar's critical study of the films of the late Stanley Kubrick includes analysis of all but his ...
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  • 24 June 1999
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A critical study of the films of Stanley Kubrick, one of the great directors of the century.

García Mainar's critical study of the films of the late Stanley Kubrick includes analysis of all but his last work, Eyes Wide Shut, and offers both a formal analysis of the films based on style and narrative pattern, and atheoretical, postmodernist approach to ideas presented in the films. García Mainar is particularly concerned with analyzing the relevance of spectacle in Kubrick's films, seeing it as a disruptive mechanism that can call into question the value and necessity of communication. He identifies different kinds of spectacle in the films, and proceeds to a detailed examination of these different forms in 2001 A Space Odyssey, Barry Lyndon, and Full Metal Jacket.

Luis M. García Mainar teaches English at the University of Zaragoza, Spain.
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Price: $36.95
Pages: 267
Publisher: Boydell & Brewer Inc.
Imprint: Camden House
Series: European Studies in North American Literature and Culture
Publication Date: 24 June 1999
Trim Size: 9.00 X 6.00 in
ISBN: 9781571132659
Format: Paperback
BISACs: PERFORMING ARTS / Film / Direction & Production, Filmmaking and production: technical and background skills
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Introduction
Poetics
Modifications of Accounts of Film as Narrative, Motivated by the Previous Analysis of Poetics
2001: A Space Odyssey(1968); or, A Journey toward Ambiguity
Barry Lyndon(1975); or, The Comnfort of Tradition
Full Metal Jacket(1987): One Possible Answer
Conclusion