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Inside Christian churches, natural light has long been harnessed to underscore theological, symbolic, and ideological statements. In this volume, twenty-four international scholars with various specialties explore how the study of sunlight can reveal essential aspects of the design, decoration, and function of medieval sacred spaces.
Themes covered include the interaction between patrons, advisors, architects, and artists, as well as local negotiations among competing traditions that yielded new visual and spatial constructs for which natural light served as a defining and unifying factor. The study of natural light in medieval churches reveals cultural relations, knowledge transfer patterns, processes of translation and adaptation, as well as experiential aspects of sacred spaces in the Middle Ages.
Contributors are: Anna Adashinskaya, Jelena Bogdanović, Debanjana Chatterjee, Ljiljana Čavić, Aleksandar Čučaković, Dušan Danilović, Magdalena Dragović, Natalia Figueiras Pimentel, Leslie Forehand, Jacob Gasper, Vera Henkelmann, Gabriel-Dinu Herea, Vladimir Ivanovici, Charles Kerton, Jorge López Quiroga, Anastasija Martinenko, Andrea Mattiello, Rubén G. Mendoza, Dimitris Minasidis, Maria Paschali, Marko Pejić, Iakovos Potamianos, Maria Shevelkina, Alice Isabella Sullivan, Travis Yeager, and Olga Yunak.
Themes covered include the interaction between patrons, advisors, architects, and artists, as well as local negotiations among competing traditions that yielded new visual and spatial constructs for which natural light served as a defining and unifying factor. The study of natural light in medieval churches reveals cultural relations, knowledge transfer patterns, processes of translation and adaptation, as well as experiential aspects of sacred spaces in the Middle Ages.
Contributors are: Anna Adashinskaya, Jelena Bogdanović, Debanjana Chatterjee, Ljiljana Čavić, Aleksandar Čučaković, Dušan Danilović, Magdalena Dragović, Natalia Figueiras Pimentel, Leslie Forehand, Jacob Gasper, Vera Henkelmann, Gabriel-Dinu Herea, Vladimir Ivanovici, Charles Kerton, Jorge López Quiroga, Anastasija Martinenko, Andrea Mattiello, Rubén G. Mendoza, Dimitris Minasidis, Maria Paschali, Marko Pejić, Iakovos Potamianos, Maria Shevelkina, Alice Isabella Sullivan, Travis Yeager, and Olga Yunak.
Price: $183.00
Pages: 368
Publisher: Brill
Imprint: Brill
Series: East Central and Eastern Europe in the Middle Ages, 450-1450
Publication Date:
15 December 2022
ISBN: 9789004527959
Format: Hardcover
“I have seldom read a book so full of fresh insights, unexpected suggestions and discussions which have given me a new understanding and fresh appreciation both of the church buildings and of the meanings they express.” – John Binns, University of Cambridge, in: Journal of Ecclesiastical History 75/3 (2024), p. 554
Vladimir Ivanovici, Ph.D., (2011), University of Bucharest, (2014), University of Lugano, is Lecturer at the Accademia di architettura di Mendrisio and Marie Curie Fellow at the University of Vienna, specializing in the mise-en-scène of religious experiences, with a focus on the use of light as a medium of theophany.
Alice Isabella Sullivan, Ph.D., (2017), University of Michigan, is Assistant Professor of Medieval Art and Architecture and Director of Graduate Studies at Tufts University, specializing in the artistic production of Eastern Europe and the Byzantine-Slavic cultural spheres.
Alice Isabella Sullivan, Ph.D., (2017), University of Michigan, is Assistant Professor of Medieval Art and Architecture and Director of Graduate Studies at Tufts University, specializing in the artistic production of Eastern Europe and the Byzantine-Slavic cultural spheres.