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New York’s Yiddish Theater

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In the early decades of the twentieth century, a vibrant theatrical culture took shape on New York City's Lower East Side. Original dramas, comedies, musicals, and vaudeville, along with sophistica...
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  • 08 March 2016
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In the early decades of the twentieth century, a vibrant theatrical culture took shape on New York City's Lower East Side. Original dramas, comedies, musicals, and vaudeville, along with sophisticated productions of Shakespeare, Ibsen, and Chekhov, were innovatively staged for crowds that rivaled the audiences on Broadway. Though these productions were in Yiddish and catered to Eastern European, Jewish audiences (the largest immigrant group in the city at the time), their artistic innovations, energetic style, and engagement with politics and the world around them came to influence all facets of the American stage.

Vividly illustrated and with essays from leading historians and critics, this book recounts the heyday of "Yiddish Broadway" and its vital contribution to American Jewish life and crossover to the broader American culture. These performances grappled with Jewish nationalism, labor relations, women's rights, religious observance, acculturation, and assimilation. They reflected a range of genres, from tear-jerkers to experimental theater. The artists who came of age in this world include Stella Adler, Eddie Cantor, Jerry Lewis, Sophie Tucker, Mel Brooks, and Joan Rivers. The story of New York's Yiddish theater is a tale of creativity and legacy and of immigrants who, in the process of becoming Americans, had an enormous impact on the country's cultural and artistic development.

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Price: $70.00
Pages: 328
Publisher: Columbia University Press
Imprint: Columbia University Press
Publication Date: 08 March 2016
Trim Size: 10.00 X 8.00 in
ISBN: 9780231176705
Format: Hardcover
BISACs: PERFORMING ARTS / Theater / History & Criticism, LANGUAGE STUDY / Yiddish, HISTORY / Jewish, HISTORY / United States / State & Local / New England (CT, MA, ME, NH, RI, VT), RELIGION / Judaism / History
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A witty and absorbing demonstration of the interplay of minority and mainstream—with the minority culture here being of outsize influence over the larger culture of Broadway, Hollywood, and America.
Edna Nahshon is professor of theater and drama at the Jewish Theological Seminary and senior associate at Oxford University's Center for Hebrew and Jewish Studies. She is the author of Jews and Theater in an Intercultural Context and Jewish Theatre: A Global View, and the editor of From the Ghetto to the Melting Pot: Israel Zangwill's Jewish Plays.

Director's Foreword, by Susan Henshaw Jones
Overture: From the Bowery to Broadway, by Edna Nahshon
1. Yiddish New York, by Hasia Diner
2. Popular Yiddish Theater: Music, Melodrama, and Operetta, by Nahmha Sandrow
3. Jacob Gordin: The Great Reformer, by Barbara Henry
4. Pathbreakers and Superstars, by Edna Nahshon, Stefanie Halpern, and Joshua S. Walden
Intermission
5. Maurice Schwartz and the Yiddish Art Theater Movement, by Edna Nahshon
6. Yiddish Political Theater: The Artef, by Edna Nahshon
7. Yiddish Theater and the Transformation of American Design, by Arnold Aronson
8. Modicut: The Yiddish Puppet Theater of Yosl Cutler and Zuni Maud, by Eddy Portnoy
9. Yiddish Vaudeville, by Edna Nahshon and Judith Thissen
10. Borscht Belt Entertainment, by Edna Nahshon
11. Tevye's Travels: From Yiddish Everyman to American Icon, by Alisa Solomon
Finale: A Gallery of Stars of the American Yiddish Stage, by Stefanie Halpern and Edna Nahshon
Editor's Acknowledgments
List of Contributors
Endnotes
Selected Bibliography
Index