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Our Dogs, Our Selves

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The ubiquity of references to dogs in medieval and early modern texts and images must at some level reflect their actual presence in those worlds, yet scholarly consideration of this material is ra...
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  • 29 September 2016
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The ubiquity of references to dogs in medieval and early modern texts and images must at some level reflect their actual presence in those worlds, yet scholarly consideration of this material is rare and scattered across diverse sources. This volume addresses that gap, bringing together fifteen essays that examine the appearance, meaning, and significance of dogs in painting, sculpture, manuscripts, literature, and legal records of the period, reaching beyond Europe to include cultural material from medieval Japan and Islam. While primarily art historical in focus, the authors approach the subject from a range of disciplines and with varying methodology that ultimately reveals as much about dogs as about the societies in which they lived.
Contributors are Kathleen Ashley, Jane Carroll, Emily Cockayne, John Block Friedman, Karen M. Gerhart, Laura D. Gelfand, Craig A. Gibson, Walter S. Gibson, Nathan Hofer, Jane C. Long, Judith W. Mann, Sophie Oosterwijk, Elizabeth Carson Pastan, Donna L. Sadler, Alexa Sand, and Janet Snyder.
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Price: $257.00
Pages: 410
Publisher: Brill
Imprint: Brill
Series: Art and Material Culture in Medieval and Renaissance Europe
Publication Date: 29 September 2016
ISBN: 9789004269163
Format: Hardcover
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"Indeed, there is much to admire in this volume, including the passionate position the authors appear to take in relation to their subject matter." Pia F. Cuneo, University of Arizona, in Renaissance Quarterly 71, no. 1 (Spring 2018): 259-261.

Laura D. Gelfand, Ph.D. (1994), Case Western Reserve University, is Professor of Art History at Utah State University. She has published widely on Northern Renaissance art and architecture and co-edits the series Art and Material Culture in Medieval and Renaissance Europe (Brill).