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Passive Constitutions or 7 1/2 Times Bartleby

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Through analysis of Melville's "Bartleby, the Scrivener," this book analyzes major questions in Melville's literature as well as philosophical, theological, political, juridical, psychiatric, and l...
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  • 13 August 2007
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This book represents an analysis of one of the most enigmatic characters in American literature. At the same time, it addresses various questions in Melville's writings, such as passivity, identity, the impersonal and neutral, sexuality and the question of marriage, drug addiction, and ethics (especially the problem of testifying and friendship). Reference is made to the whole range of Melville's writings (excluding his poetry), and each chapter situates the question it treats within a larger cultural or theoretical context, such as the legacy of American Puritanism, the appearance of the first American asylums, Melville's treatment of the institutionalization of madness, and the appearance of certain semi-sciences (mesmerism, physiognomy, palmistry, and so on). The book thus covers Melville's thinking concerning American society, his relationship to the law, his treatment of the arts (specifically Turner's paintings), and his responses to the appearance of meteorology, reading such matters as a political and philosophical statement concerning the modern world.

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Price: $70.00
Pages: 224
Publisher: Stanford University Press
Imprint: Stanford University Press
Publication Date: 13 August 2007
Trim Size: 9.00 X 6.00 in
ISBN: 9780804753937
Format: Hardcover
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"This is the most exciting, original, and extended reading we now have of Melville's notoriously enigmatic text. Inhabiting the text in an incredibly intimate and persuasive manner, Arsic offers us nothing less than an ingenious and wonderfully inventive analysis of Bartleby's passivity and, indeed, suggests the various ways in which this passivity founds not only Bartleby's constitution but our own as well."
Branka Arsić is Associate Professor of English at SUNY, Albany. She is the author of The Passive Eye: Gaze and Subjectivity in Berkeley (Stanford, 2000).