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For the first time, using an interdisciplinary, theoretical and ethnographic approach, the editors have brought together a rich collection of current research on contemporary Japanese performance practices. Topics covered include theatre, music, art, fashion and technology, media, architecture and tourism. Well illustrated, Performing Japan will provide added-value in introductory courses on the Japanese language, history, or culture, as well as Asian Studies in general. In addition, it offers valuable comparative references in the context of theatre, music and dance classes which either introduce Japanese forms or focus entirely on the performing traditions of Japan. The fourteen contributors include Joy hendry, Roy Starrs, Peter Eckersall, Kimi Coaldrake, Henry Johnson and Jerry C. Jaffe.
Price: $135.00
Pages: 324
Publisher: Brill
Imprint: Brill
Publication Date:
03 July 2008
ISBN: 9781905246311
Format: Hardcover
"... Performing Japan is an attractively presented volume with the text supported by beautifully reproduced colour plates illuminating several of the essays and in some cases providing necessary visual examples [...] Johnson and Jaffe have created an invaluable resource for further study of Japanese performance, and contributed to debates about the complex connections between art, cultural identity and politics." - David O'Donnell, in: Australasian Drama Studies, 57 (October 2010), pp. 228-231
Henry Johnson is Professor at the University of Otago, New Zealand, where he teaches ethnomusicology, Asian studies and performing arts studies. His recent publications include The Koto: A Traditional Instrument in Contemporary Japan (2004) and Asia in the Making of New Zealand (2006).
Jerry C. Jaffe is Senior Lecturer in Theatre Studies at the University of Otago, New Zealand. He is also Programme Coordinator of the university’s Performing Arts Studies Programme. He has previously published in the areas of Japanese culture and performance studies in journals such as Theatre Annual.
Jerry C. Jaffe is Senior Lecturer in Theatre Studies at the University of Otago, New Zealand. He is also Programme Coordinator of the university’s Performing Arts Studies Programme. He has previously published in the areas of Japanese culture and performance studies in journals such as Theatre Annual.