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Power in the Pews

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Uses the life of a notorious early twentieth century Black evangelist to shed light on a transformative era for Black religious leadership and its perceived authority Power in the Pews explores one man’s meteoric rise...
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  • February 2, 2027
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Uses the life of a notorious early twentieth century Black evangelist to shed light on a transformative era for Black religious leadership and its perceived authority

Power in the Pews explores one man’s meteoric rise to religious fame to illuminate how Black ministers’ power in urban Black life came to be contested in early 20th century America. Before the massive popularity of figures like Father Divine and "Sweet Daddy" Grace, traveling evangelist George Wilson Becton was the first of the charismatic African American religious leaders to enthrall the Black masses in cities across the nation.

"The first known cult leader of Harlem," whose life is now largely forgotten, was a central focus of criticism of Black ministers within the Black Press, especially due to ongoing debates regarding his marital life, sexuality, alleged womanizing, and the likelihood that he was a swindler. George Wilson Becton became emblematic of larger concerns about the authority — and the presumed morality — of Black ministers and the institution of the Black Church.

This microhistory uses Becton’s life and that of his wife, Josephine Bufford Becton, to illuminate a number of core issues swirling around Black churches of the time, from debates about the legitimacy of the call to preach versus formal religious education, to changing ideas about the authority of clergy versus congregational authority, to the acceptance of female ministers and concerns about ministers’ sexuality morality. The case of this famous and controversial figure illustrates how Black churches evolved into spaces of contention, empowering everyday Black people to define what constituted legitimate religious authority.

At once compelling and insightful, Power in the Pews draws on Becton’s ministry to reconsider the role of the Black Church as not merely a refuge of faith and space for personal transformation, but as a site of cultural and social struggle between ministers and Black communities.

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Price: $32.00
Pages: 352
Publisher: NYU Press
Imprint: NYU Press
Publication Date: February 2, 2027
Trim Size: 9.00 X 6.00 in
ISBN: 9781479848645
Format: Paperback
BISACs: RELIGION / Christianity / History, SOCIAL SCIENCE / Ethnic Studies / American / African American Studies, RELIGION / Christianity / Protestant, BIOGRAPHY & AUTOBIOGRAPHY / Religious
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"Power in the Pews is a much-needed history of Black Protestantism. Through the little-known Reverend Becton, Kim Gallon delivers a riveting examination of the common contestations between pulpit and pew—gender, sexuality, power, celebrity, and liberation—revealing an unsung figure of enduring significance for modern American religion, culture, and politics."
— Lerone A. Martin, author of Young King: The Making of Martin Luther King, Jr.

"Illustrates the wide spectrum of black ecclesial authority and popular religious performance. Ranging from structured mainline churches to free-lance preachers, unorthodox black religion, as shown in the ministry of George Becton, was characterized by broadened boundaries of what was acceptable in black church belief and practice."
— Dennis C. Dickerson, Vanderbilt University

"Kim Gallon’s Power in the Pews is a remarkable achievement. Not only has she rescued George Wilson Becton from the margins of African American religious history, but she has also placed him rightfully at the very center of that history. In doing so, she has revealed Becton to be equal in importance and impact to other high profile religious figures, including Rev. Clarence Cobb, Father Divine, and Charles Manuel “Sweet Daddy” Grace, his contemporary rivals. Perhaps most importantly, however, in bringing this fascinating Black minister to light, Gallon has underscored the contestations, contentions, and controversies that gave foundational development to Black churches during the early decades of the twentieth century. It is a study we have long needed, and one that will certainly shape future scholarly investigations into Black churches and African American religious cultures more broadly."
— Wallace D. Best, author of Langston's Salvation: American Religion and the Bard of Harlem
Kim Gallon is Associate Professor in the Department of Africana Studies at Brown University. She is the author of Pleasure in the News: African American Readership and Sexuality in the Black Press and co-editor of A Full Measure of Freedom: The Black Press at 200.