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What does »creativity« mean in the context of IT and what happens when IT acts in its name? Jan Sebastian Zipp examines the concept of creativity in large IT companies in times of digital change, including new ways of working or potential artificial creativity with no human interaction. Drawing on constitutive elements like Silicon Valley or its connection to counterculture, his analysis of the representation and organisation of creativity as a social practice provides insights into the inherent logic of the creativity narrative of IT. This study contributes vital foundations for a critical engagement with today's prevailing understanding of the concept of creativity.
Price: $50.00
Pages: 200
Publisher: transcript publishing
Imprint: transcript publishing
Publication Date:
13 September 2022
Trim Size: 8.86 X 5.83 in
ISBN: 9783837663167
Format: Paperback
BISACs:
SOCIAL SCIENCE / Popular Culture, SOCIAL SCIENCE / Sociology / General, HISTORY / Social History
Jan Sebastian Zipp, born in 1985, is based at the Tübingen AI Center, the competence centre for machine learning jointly operated by the University of Tübingen and the Max Planck Institute for Intelligent Systems. Prior to that, the cultural scientist worked for several years at IBM Research in Zurich while doing his doctoral thesis at Zeppelin Universität. His research focuses on artificial and human creativity, innovation management, digitisation and the future of work.
Frontmatter 1
Contents 5
ABSTRACT 9
1 PROLOGUE - PROGRAMMING CREATIVITY 11
2 DESIDERATUM OF RESEARCH 15
3 METHODOLOGY - HEURISTIC TENDENCIES WITHIN THE DISSERTATION 35
4 CONTEXTUAL AWARENESS AND PRECONDITIONS 43
5 DIACHRONIC ANALYSIS 55
6 OBSERVATIONS - MATERIAL SEMANTICS OF REALIZING CREATIVITY 123
7 RESULTS AND DISCUSSION 159
BIBLIOGRAPHY 179