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“A clever commentary on the social climate of the United States with privilege, power, and fame at its heart…an incredibly well-crafted play.” –Theatre Weekly
1978. Holly, a young heiress, sits in a California prison awaiting trial for her role in a string of armed robberies that have captivated the nation. Her only hope? Her hotshot lawyer, Robert–who might make his name, if he can save hers.
2017. Robert, now one of the most famous attorneys in America, faces a different kind of trial: the court of public opinion. In a last-ditch bid for redemption, he turns to the one former client who could help him plead his case. But will she?
Inspired by the real-life trial of Patty Hearst, Katherine Moar’s play Ragdoll is a psychedelic swirl of celebrity, violence and scandal.
“Riveting, bold and taut…an audacious account of power and privilege.”
–Guardian
“Immensely atmospheric.”
–The Times
“Short, snappy and hugely enjoyable…Moar is a talent to watch.”
–London Standard
“Electric, right from the start…a little gem.”
–TheatreCat
“Thoughtful, thought-provoking, ingeniously structured and punchy…there is no disguising the sharpness of Moar’s writing.”
–The Spy in the Stalls
“An enjoyable play from a young, exciting playwright.”
–All That Dazzles
Katherine Moar is a writer from Bath. Her plays include Ragdoll (Jermyn Street Theatre, London, 2025) and Farm Hall (Jermyn Street Theatre, 2023; West End, 2024). She is also studying for a PhD at King’s College London and the Imperial War Museum.