Some error occured while loading the Quick View. Please close the Quick View and try reloading the page.
The first detailed study of the working relationship and productive friendship between Ralph Vaughan Williams (1872-1958) and Adrian Boult (1889-1983).
From 1918 onwards, Boult became one of Vaughan Williams's most important interpreters, giving the world premieres of the Pastoral, Fourth and Sixth Symphonies, performing almost all his major works (not only at home but with some of the world's greatest orchestras), and working in close collaboration with the composer on major projects including the first complete recording of Vaughan Williams's symphonies. Boult continued to be the most devoted advocate of Vaughan Williams's music to the end of his long career.
As this book shows, Boult's scores include numerous annotations derived from conversations and correspondence with Vaughan Williams and these provide important evidence of the composer's wishes including adjustments to orchestration, comments on interpretation, dynamics, phrasing and revisions to Vaughan Williams's notoriously unreliable metronome marks. The evidence of these scores is considered alongside the extensive correspondence between Vaughan Williams and Boult, Boult's private diaries and other relevant documents including contemporary press reports. The book includes three substantial supplements: a detailed description of Boult's marked scores, a comprehensive list of Boult's Vaughan Williams performances and a discography including surviving recordings of unpublished broadcasts. It will be indispensable reading for scholars and students of Vaughan Williams and historical conducting, Vaughan Williams enthusiasts and those interested in the history of recorded music.
From 1918 onwards, Boult became one of Vaughan Williams's most important interpreters, giving the world premieres of the Pastoral, Fourth and Sixth Symphonies, performing almost all his major works (not only at home but with some of the world's greatest orchestras), and working in close collaboration with the composer on major projects including the first complete recording of Vaughan Williams's symphonies. Boult continued to be the most devoted advocate of Vaughan Williams's music to the end of his long career.
As this book shows, Boult's scores include numerous annotations derived from conversations and correspondence with Vaughan Williams and these provide important evidence of the composer's wishes including adjustments to orchestration, comments on interpretation, dynamics, phrasing and revisions to Vaughan Williams's notoriously unreliable metronome marks. The evidence of these scores is considered alongside the extensive correspondence between Vaughan Williams and Boult, Boult's private diaries and other relevant documents including contemporary press reports. The book includes three substantial supplements: a detailed description of Boult's marked scores, a comprehensive list of Boult's Vaughan Williams performances and a discography including surviving recordings of unpublished broadcasts. It will be indispensable reading for scholars and students of Vaughan Williams and historical conducting, Vaughan Williams enthusiasts and those interested in the history of recorded music.
Price: $75.00
Pages: 330
Publisher: Boydell & Brewer Inc.
Imprint: Boydell Press
Publication Date:
04 October 2022
Trim Size: 9.21 X 6.14 in
ISBN: 9781783277292
Format: Hardcover
BISACs:
MUSIC / Instruction & Study / Conducting, Techniques of music / music tutorials / teaching of music, MUSIC / Genres & Styles / Classical, MUSIC / History & Criticism, Art music, orchestral and formal music
Another new book Vaughan Williams and Adrian Boult, by Nigel Simeone, analyses the crucial creative partnership Vaughan Williams had with Boult, who conducted the premieres of three of his symphonies, and recorded the first cycle of them. The collaboration continued posthumously: throughout the 1960s and 1970s Boult recorded and performed his friend's works, conducting his centenary concert in 1972. Simeone's achievement is to have analysed the scores Boult used when conducting, and the annotations he added following conversations with the composer.
Prologue
1. First Encounters and A Sea Symphony
2. A London Symphony
3. A Pastoral Symphony and Boult on Conducting in the 1920s
4. Job: 'To Adrian Boult'
5. Symphony No. 4 in F minor
6. Wartime Tensions
7. Symphony No. 5 in D major
8. Symphony No. 6 in E minor
9. Sinfonia antartica and the Last Two Symphonies
10. Fantasia on a Theme by Thomas Tallis and Other Orchestral Works
11. Choral and Vocal Works
12. Vaughan Williams, Boult and The Pilgrim's Progress
Appendix 1: Annotations on Boult's Working Scores
Appendix 2: Boult's Vaughan Williams Performances: A Chronology
Appendix 3: Discography
Bibliography
Index
1. First Encounters and A Sea Symphony
2. A London Symphony
3. A Pastoral Symphony and Boult on Conducting in the 1920s
4. Job: 'To Adrian Boult'
5. Symphony No. 4 in F minor
6. Wartime Tensions
7. Symphony No. 5 in D major
8. Symphony No. 6 in E minor
9. Sinfonia antartica and the Last Two Symphonies
10. Fantasia on a Theme by Thomas Tallis and Other Orchestral Works
11. Choral and Vocal Works
12. Vaughan Williams, Boult and The Pilgrim's Progress
Appendix 1: Annotations on Boult's Working Scores
Appendix 2: Boult's Vaughan Williams Performances: A Chronology
Appendix 3: Discography
Bibliography
Index