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The draft dodger Laurence yearns to take control of his destiny. Having fled to the highlands, he asserts his independence by committing a string of robberies and murders. Then he happens upon Ivlita, a beautiful young woman trapped in an intricately carved mahogany house. Laurence does not hesitate to take her as well. Determined to drape his young bride in jewels, he plots ever more daring heists. Yet when Laurence finds himself casting bombs alongside members of a revolutionary cell, he must again ask: is he a free man or a pawn of history?
Rapture is a fast-paced adventure-romance and a literary treat of the highest order. With a deceptively light hand, Iliazd entertains questions that James Joyce, Virginia Woolf, and Thomas Mann once faced. How does the individual balance freedom and necessity, love and death, creativity and sterility? What is the role of violence in human history and culture? How does language both comfort and fail us in our postwar, post-Christian world?
Censored for decades in the Soviet Union, Rapture was nearly lost to Russian and Western audiences. This translation rescues Laurence's surreal journey from the oblivion he, too, faces as he tries to outrun fate.
Iliazd (1894–1975) is the nom de plume of Ilia Zdanevich, an émigré who arrived in Paris after the Russian Civil War in time to participate in the last days of Paris Dada and the birth of surrealism. Unable to publish his writing, Iliazd forged a new career in book art, gaining fame for the series of artists' books he published under the "41 degrees" imprint. He collaborated with Picasso, Chagall, Matisse, Legér, Giacometti, Miró, and Max Ernst, among others, on books of his own poetry, anthologies of "nonsense" poetry from all ages and traditions, and works by rediscovered poets, travelers, and romantic astronomers. Iliazd has been the subject of solo exhibitions at the Centre Georges Pompidou (1978) and the Museum of Modern Art (1987).
Thomas J. Kitson is a freelance translator in New York City. He holds a Ph.D. in Russian literature from Columbia University.
Introduction: The Golden Excrement of the Avant-Garde
Rapture
Notes