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Shows how the fashion industry in the mid- to late twentieth century created a particular way of seeing religion as fashionable
From cross necklaces to fashion designs inspired by nuns’ habits, how have fashion sources interpreted Christianity? And how, in turn, have these interpretations shaped conceptions of religion in the United States?
Religion in Vogue explores the intertwined history of Christianity and the fashion industry. Using a diverse range of fashion sources, including designs, jewelry, articles in fashion magazines, and advertisements, Lynn S. Neal demonstrates how in the second half of the twentieth century the modern fashion industry created an aestheticized Christianity, transforming it into a consumer product.
The fashion industry socialized consumers to see religion as fashionable and as a beautiful lifestyle accessory—something to be displayed, consumed, and experienced as an expression of personal identity and taste. Religion was something to be embraced and shown off by those who were sophisticated and stylish, and not solely the domain of the politically conservative.
Neal ultimately concludes that, through aestheticizing Christianity, the fashion industry has offered Americans a means of blending traditional elements of religion—such as ritual practice, miraculous events, and theological concepts—with modern culture, revealing a new dimension to the personal experience of religion.
"[Neal] considers the inspirations of various designers and explores how advertising and marketing framed religious symbols, devotions, and icons into a commodity for trend-setting audiences, all of which culminates in a provocative conclusion that lends itself to further discussion... [E]xtensively researched, fascinating account."
"A comprehensive study of Vogue magazine’s archive detailing the entanglement between American Christianity and fashion culture from the latter half of the twentieth century to the present ... Neal’s goal is to show how studying fashion supplies important insight into twentieth and twenty-first century American religious life. Unquestionably, Religion in Vogue is a phenomenal text. Neal set an ambitious research goal and accomplished it ... A cutting-edge work."
"Overall, this book provides an interesting approach in bridging fashion and religious studies. Readers with a keen interest in socio-political and religious perspectives would find Neal’s book helpful. In addition, the book would greatly contribute to interdisciplinary researchers as it highlights key cultural shifts in consuming art and identity"