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Render
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Searing, intimate poems that render a history of trauma, addiction, and recovery through dreams and waking experience.
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29 September 2020

Render (v.tr.): to submit, as for consideration; to give or make available; to give what is due or owed; to give in return, or retribution; to surrender; to yield. To represent; to perform an interpretation of; to arrange. To express in another language or form; to translate. To deliver or pronounce formally; to cause to become; to reduce, convert, or melt down, by heating.
br> A recovery narrative has a known form: what it was like, what happened, and what it’s like today. In a poem, what can be arranged or interpreted with such certainty, by whom, and to what end? What is the relationship of the performance of recovery via a poem to the truth of the experience? Does one deliver the other? Insert into these considerations the experience of traumas. How is trauma converted by post-trauma experiences? What is the retribution of that experience when articulated as poetry? Enter these questions through the dream, with its unrenderable subjects, landscapes, and plots. Where do dreams meet poetry in their spontaneous, opaque, necessary structures? What do such comparisons yield to the waking reader? What can be rendered intelligible in the soup of long-term recovery?br> br> With great ferocity and tenderness, Sachiko Murakami’s poems encounter such questions, and then melt them down, by heating.
br> A recovery narrative has a known form: what it was like, what happened, and what it’s like today. In a poem, what can be arranged or interpreted with such certainty, by whom, and to what end? What is the relationship of the performance of recovery via a poem to the truth of the experience? Does one deliver the other? Insert into these considerations the experience of traumas. How is trauma converted by post-trauma experiences? What is the retribution of that experience when articulated as poetry? Enter these questions through the dream, with its unrenderable subjects, landscapes, and plots. Where do dreams meet poetry in their spontaneous, opaque, necessary structures? What do such comparisons yield to the waking reader? What can be rendered intelligible in the soup of long-term recovery?br> br> With great ferocity and tenderness, Sachiko Murakami’s poems encounter such questions, and then melt them down, by heating.
Price: $15.95
Pages: 112
Publisher: Arsenal Pulp Press
Imprint: Arsenal Pulp Press
Publication Date:
29 September 2020
Trim Size: 8.00 X 6.00 in
ISBN: 9781551528274
Format: Paperback
"f metaphor instructs us to leave and re-enter our own realities, then the figurative language in Render calls us through passages of cyclical pain and recovery. Through each page, each keen-edged poetic line, Sachiko Murakami speaks, and I, for one, am listening." —Amber Dawn, author of My Art Is Killing Me and Other Poems
"This collection is both timeless and necessary for these times. I read it in a fever, and then read it through again." —Erin Wunker, author of Notes from a Feminist Killjoy
"This collection is both timeless and necessary for these times. I read it in a fever, and then read it through again." —Erin Wunker, author of Notes from a Feminist Killjoy
Sachiko Murakami is the author of three previous poetry collections, including The Invisibility Exhibit (shortlisted for the Governor General’s Literary Award). As a literary worker, she has edited poetry, worked for trade organizations, hosted reading series, organized conferences, sat on juries, and judged prizes.