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In Revising Dreyfus, contributors from a wide variety of disciplines (art history, film, media, theater, sociology, history) offer new ways of understanding the ever-evolving meanings of the Dreyfus Affair. Although the Dreyfusards led the way in explicating the nuances of the Affair in lengthy treatises, the anti-Dreyfusards far outstripped their opponents on the graphic front, particularly through print media, photographs,
postcards, broadsides, films, illustrated journal covers, and the plastic arts. Revising Dreyfus traces the dominant modes of “seeing” the Dreyfus Affair, often in opposition to “reading” the Affair in three major contexts: French, Zionist, and American.
postcards, broadsides, films, illustrated journal covers, and the plastic arts. Revising Dreyfus traces the dominant modes of “seeing” the Dreyfus Affair, often in opposition to “reading” the Affair in three major contexts: French, Zionist, and American.
Price: $270.00
Pages: 424
Publisher: Brill
Imprint: Brill
Series: Brill's Series in Jewish Studies
Publication Date:
11 July 2013
ISBN: 9789004256941
Format: Hardcover
Maya Balakirsky Katz is Associate Professor of Art History at Touro College and on the faculty of Touro’s Graduate School of Jewish Studies. She has written on the intersection of religious identity and media in essay collections, exhibition catalogs, and encyclopedias, as well as journals, such as AJS Review, Jewish Social Studies, Nineteenth-Century French Studies, Modern Judaism, and Images: A Journal of Jewish Art and Visual Culture. Most recently, she authored the book The Visual Culture of Chabad.