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Riso Art
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10 October 2023

In recent years risography has captured the attention of printers and artists, especially in independent and self-publishing circles, given the technical and visual qualities it offers. Varied and vivid spot colors, the warmth of the finishes, and occasional imperfections in uniformity and register are just some of these attractive features. The book begins by giving readers a brief history of the Risograph while outlining the basic principles of the printing process, including the equipment, tools and materials needed to get started. Designed mainly for high-volume photocopying and printing, Risographs are far less expensive than conventional photocopy machines and laser or ink printers. Rich in illustrations, pictures, detailed instructions and infographics, this practical guide to Risograph printing will teach readers how to set up a Risograph, how to prepare files to print, how to make overprints and knockouts, how to choose paper, how to handle freshly printed works, what ink to use and about any additional equipment they will need to become a Riso master. An ideal primer for novice users of a Riso printer, readers will also learn how to apply artistic printing techniques that will allow them to print with brighter, more expressive, saturated colors that, unlike photocopy ink, do not fade over time. The book also includes profiles of notable printers, with one featured work of Riso art and the printing technique used. In addition to examples of printed products, readers will find works from contributing print shops and information about design studios and artists from around the world. The book will broaden the reader’s printing horizons and illustrate the extensive variety of possibilities offered by this relatively straightforward technique, inspiring them through the prints of others to create their own riso art.
Jay Lim is the co-founder of award-winning Tsubaki Studio and CUTOUT graphic design magazine. He is also a lecturer at Macau University of Science and Technology and National Kaohsiung University of Applied Sciences (Kaohsiung City, Taiwan), a part-time lecturer at Sunway University and a former part-time lecturer at Point College and Saito University College, all in Selangor, Malaysia.
Contents
Foreword
The
Story Behind Risograh
The Era Before Risograph
The Foundation of RISO-Sha
Development of Risograph
Rise of Risograph
Popularity of Risograph
A Current Global Riso Community
Risograph
Printing Guidelines
Key Points on Risograph
Limitations of Risograph
Working Process of Risograph Machine
Essential Art Tools
Starting a Riso Art Journey in 3 Easy Steps
Dos & Don'ts in Riso
Printing
Global Risograph Community
Bad Student (PH), Hand Saw Press (JP), Studio Fidèle (FR), Ink’chacha (HK),
Hasuriso (MY), Knuckles & Notch (SG), Risolve Studio (PA, USA), RISOTTO
Studio (UK), S-tones Printing Studio (CN), ISHIBIKI Public (JP), Can Can Press
(MX), Duplikat Press (UK), Wedogood (VN), Witti Studio (TH), Earthbound Press
(UK), Aki Jiang (CN), Indego Design (MO), Yeji Yun (NL), LIE Design (MY), Owi
Liunic (ID), Natalie Andrewson (US), Dencell Studio (CN), Mina Braun (DE),
Lauren Morsley (UK), Susannah Garden (DE).
Index
Acknowledgements