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This collective volume aims to highlight the philosophical and literary idea of apocalypse within key examples in the Slavic world during the nineteenth and twentieth centuries. From Russian realism to avant-garde painting, from the classic fiction of the nineteenth century to twentieth-century philosophy, not omitting theatre, cinema or music, the concepts of “end of history” and “end of present time” are specifically examined as conditions for a redemptive image of the world. To understand this idea is to understand an essential part of Slavic culture, which, however divergent and variegated it may be, converges on this specific myth in a surprising manner.
Price: $119.00
Pages: 288
Publisher: Academic Studies Press
Imprint: Academic Studies Press
Series: Myths and Taboos in Slavic Cultures
Publication Date:
01 May 2013
Trim Size: 9.21 X 6.14 in
ISBN: 9781618111746
Format: Hardcover
BISACs:
ART / Russian & Soviet, LITERARY CRITICISM / Russian & Soviet, PHILOSOPHY / General
“The volume should be of interest to specialists of nineteenth- and early twentieth-century Russian literature and the arts, the Eastern Orthodox Church, or Slavic spirituality in general. While there is great variation among the authors of the ten essays, they all address their genres from a religious or spiritual point of view. As a result, the reader will find some unexpected ‘reads’ of familiar works in the literary and arts sections and an interesting variety of opinions regarding Eastern Orthodoxy and apocalypse in the philosophy section.”
— Sarah Predock Burke
“For anyone concerned with or interested in the topic of the apocalypse in arts, literature and philosophy in Slavic culture this book would be invaluable and it is likely to become a primary reference source for future research in the study of religious concepts in general, and the apocalypse in particular.”
— Ayse Dietrich, Middle East Technical University, International Journal of Russian Studies Issue no. 6, Jan 2017
“William J. Leatherbarrow’s essay (previously published in 1982) on apocalyptic imagery in Dostoevskii’s The Idiot and The Devils is an outstanding model of concise, elegant and lucid analysis. Although the author modestly refers to it as a ‘working paper’ (p. 132) and draws only tentative conclusions, he succeeds in integrating his evidence into a focused and persuasive argument on Dostoevskii’s use of apocalyptic motifs to highlight the moral failure of utopianism and the dream of the Golden Age....[R]eaders will undoubtedly find unusual materials, novel approaches and stimulating ideas in this volume, which is attractively produced and pleasant to handle.”
— Pamela Davidson
“This collection enhances our knowledge and understanding of the apocalyptic vision in Russia and Eastern Europe. It introduces experts on Russia to important figures in Bohemia, Croatia, and Poland, and it offers fresh interpretations of well-known Russian authors.”
— Bernice Glatzer Rosenthal, professor of history, Fordham University
— Sarah Predock Burke
“For anyone concerned with or interested in the topic of the apocalypse in arts, literature and philosophy in Slavic culture this book would be invaluable and it is likely to become a primary reference source for future research in the study of religious concepts in general, and the apocalypse in particular.”
— Ayse Dietrich, Middle East Technical University, International Journal of Russian Studies Issue no. 6, Jan 2017
“William J. Leatherbarrow’s essay (previously published in 1982) on apocalyptic imagery in Dostoevskii’s The Idiot and The Devils is an outstanding model of concise, elegant and lucid analysis. Although the author modestly refers to it as a ‘working paper’ (p. 132) and draws only tentative conclusions, he succeeds in integrating his evidence into a focused and persuasive argument on Dostoevskii’s use of apocalyptic motifs to highlight the moral failure of utopianism and the dream of the Golden Age....[R]eaders will undoubtedly find unusual materials, novel approaches and stimulating ideas in this volume, which is attractively produced and pleasant to handle.”
— Pamela Davidson
“This collection enhances our knowledge and understanding of the apocalyptic vision in Russia and Eastern Europe. It introduces experts on Russia to important figures in Bohemia, Croatia, and Poland, and it offers fresh interpretations of well-known Russian authors.”
— Bernice Glatzer Rosenthal, professor of history, Fordham University
Andrea Oppo (PhD University College Dublin) is associate professor of aesthetics at the Pontifical Faculty of Theology of Sardinia (Italy). He is the author of Philosophical Aesthetics and Samuel Beckett (2008), Estetiche del negativo. Studi su Dostoevskij, Cechov e Beckett (2009), and numerous articles on Russian religious philosophy and the relationship between philosophy and the arts.