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Silence in Modern Irish Literature
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Silence in Modern Irish Literature is the first book to focus exclusively on the treatment of silence in modern Irish literature. It reveals the wide spectrum of meanings that silence carries in mo...
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06 April 2017

Silence in Modern Irish Literature is the first book to focus exclusively on the treatment of silence in modern Irish literature. It reveals the wide spectrum of meanings that silence carries in modern Irish literature: a mark of historical loss, a form of resistance to authority, a force of social oppression, a testimony to the unspeakable, an expression of desire, a style of contemplation. This volume addresses silence in psychological, ethical, topographical, spiritual and aesthetic terms in works by a range of major authors including Yeats, Joyce, Beckett, Bowen and Friel.
Price: $153.00
Pages: 218
Publisher: Brill
Imprint: Brill
Series: DQR Studies in Literature
Publication Date:
06 April 2017
ISBN: 9789004342736
Format: Hardcover
"The breadth and brio of Silence in Modern Irish Literature ensue mainly from the contributors’ mastery of their field, from its concentration and coherence, and from its selection of prestigious Irish authors across the many genres, geotemporal divisions, national affiliation, religious dominations, and philosophical discourses."
- Ruben Moi, The Arctic University of Norway, in New Hibernia Review, Vol 21.3 (2017), pp. 155-158
"In its focus on gaps and ruptures in speech, Silence in Modern Irish Literature marks a unique and important contribution to Irish Studies, one that alters approaches to reading practices themselves by shifting the focus from what is articulated, to what remains unspoken, but which nevertheless conveys meaning."
- Bridget English, Études irlandaises, 42-2 (2017), pp. 154-156.
"Readers with an interest in modern Irish literature, modern drama, fiction and poetry; Postcolonial Studies, Gender Studies, and those interested in psychoanalytical and philosophical approaches to literature will find this a valuable and insightful collection."
- Robert Finnigan, University of Sunderland, in Estudios Irlandeses, (2018)
Read the full review: https://www.estudiosirlandeses.org/reviews/silence-in-modern-irish-literature/
“As this wide-ranging and often illuminating collection ably demonstrates, there is much to be said for attending to the role of silence in modern Irish literature. [T]he collection manages not only to reflect on the role of silence in Irish writing, but also to remedy silences in Irish literary historiography.”
-Lloyd (Meadhbh) Houston, in International Yeats Studies,” Vol. 2, Iss. 2, pp.69-73 (2018)
- Ruben Moi, The Arctic University of Norway, in New Hibernia Review, Vol 21.3 (2017), pp. 155-158
"In its focus on gaps and ruptures in speech, Silence in Modern Irish Literature marks a unique and important contribution to Irish Studies, one that alters approaches to reading practices themselves by shifting the focus from what is articulated, to what remains unspoken, but which nevertheless conveys meaning."
- Bridget English, Études irlandaises, 42-2 (2017), pp. 154-156.
"Readers with an interest in modern Irish literature, modern drama, fiction and poetry; Postcolonial Studies, Gender Studies, and those interested in psychoanalytical and philosophical approaches to literature will find this a valuable and insightful collection."
- Robert Finnigan, University of Sunderland, in Estudios Irlandeses, (2018)
Read the full review: https://www.estudiosirlandeses.org/reviews/silence-in-modern-irish-literature/
“As this wide-ranging and often illuminating collection ably demonstrates, there is much to be said for attending to the role of silence in modern Irish literature. [T]he collection manages not only to reflect on the role of silence in Irish writing, but also to remedy silences in Irish literary historiography.”
-Lloyd (Meadhbh) Houston, in International Yeats Studies,” Vol. 2, Iss. 2, pp.69-73 (2018)
Michael McAteer, Ph.D. (1998), Queen’s University Belfast, is Associate Professor of English at Pázmány Péter University, Budapest. He has published extensively on Irish Literature, including Standish O’Grady, AE, Yeats (Irish Academic P, 2002); Yeats and European Drama (Cambridge UP, 2010).