“Gerard de Vries’ Silent Love, a new study of Vladimir Nabokov’s The Real Life of Sebastian Knight, offers a stimulating analysis of Nabokov’s first novel written in English. This study makes two significant contributions to the existing body of criticism devoted to the novel. First, he has provided a detailed set of annotations that illuminate a broad range of literary, historical, and cultural allusions. Second, he provides a new theory for understanding the enigmatic conduct of the title character, the writer Sebastian Knight. This book will prove useful for any reader and student of Nabokov’s work.”
— Julian W. Connolly, University of Virginia, author of Nabokov’s Early Fiction: Patterns of Self and Other and A Reader’s Guide to Nabokov’s ‘Lolita’

“With Silent Love, Gerard de Vries presents the first annotated study of one of Nabokov’s most opaque works. Insightful and illuminating, Silent Love details the novel’s carefully-wrought patterning of allusion to reveal not only its extraordinary complexity, but also the extent of its interpretive possibilities, even offering an original and provocative solution to the puzzle that lies at its heart—the inscrutable and enigmatic Sebastian Knight.”
— Barbara Wyllie, UCL, author of Nabokov at the Movies and Vladimir Nabokov (Critical Lives)

"Gerard de Vries offers an elegant and persuasive plea for the act of annotation ... [The Real Life of Sebastian Knight] seems to call out for the kind of scholarship and detective work already richly devoted to Lolita and Ada. This is precisely what de Vries provides. After a long chapter of notes on specific textual moments, he presents three chapters of comment on motifs in the novel, centering on questions of narrative, identity, and 'death and beyond.'"
— Michael Wood, Princeton University, The Russian Review vol 76 no. 2, April 2017


— Irina Marchesini

“A strength of de Vries’ book is that he does not insist that his interpretation is definitive or prescriptive. He offers it as an example of Nabokov’s effort to inscribe multiplicity and indeterminacy into his works, producing a novel with more than one successful solution. … For those wishing to dive past the wind-rippled surface of The Real Life of Sebastian Knight into its murky depths, de Vries’ book will be an exciting, thought-provoking adventure.” —Stephen H. Blackwell, University of Tennessee (Knoxville), Slavic and East European Journal Vol. 62.3

— Stephen H. Blackwell, University of Tennessee, Knoxville

Gerard de Vries’ first paper appeared in Russian Literature Triquarterly in 1991 and he has written since many articles on Nabokov’s works, which were published in American, French and Russian academic journals. With D. Barton Johnson he wrote Nabokov and the Art of Painting (2006).

Acknowledgments

Chapter 1: Introduction

Chapter 2: Annotations

Chapter 3: Motifs: Narrative

Chapter 4: Motifs: Identities

Chapter 5: Motifs: Death and Beyond

Chapter 6: Conclusion

Works Cited

Index