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The essays gathered in this volume illuminate aspects of space and place in modern German history. Drawing from the fields of Art History, Architectural History, and German Studies, the chapters are built upon close analysis of specific cultural artifacts—photographs, murals, buildings, films, installations, mementos—while considering broader political, theoretical, and historical contexts. Even as the editors offer foundational definitions, the essays in the collection make clear that space and place are never neutral or stable; they slip and overlap in practice. Spaces and places are shaped by power, ideology, and memory but are open to appropriation, re-signification, and repair.
Contributors include Peter Chametzky, S.E. Eisterer, Nathan Goldberg, Kevina King, Christine Mehring, André Patrão, Jeffrey Saletnik, and Robin Schuldenfrei.
Contributors include Peter Chametzky, S.E. Eisterer, Nathan Goldberg, Kevina King, Christine Mehring, André Patrão, Jeffrey Saletnik, and Robin Schuldenfrei.
Price: $114.00
Publisher: Brill
Imprint: Brill
Series: Brill’s Studies on Art, Art History, and Intellectual History
Publication Date:
11 November 2026
ISBN: 9789004760042
Format: Hardcover
Christina E. Crawford Ph.D. (2016, Harvard University), is Associate Professor of Architectural History in the Art History Department at Emory University. She is the author of Spatial Revolution: Architecture and Planning in the Early Soviet Union (Cornell, 2022) and co-editor of Detroit-Moscow-Detroit: An Architecture for Industrialization, 1917-1945 (MIT, 2023).
Lisa Lee Ph.D. (2012, Princeton University), is Associate Professor of Art History at Emory University, with a research specialty in sculpture, collage, and assemblage practices in the European and American contexts. She is the author of Thomas Hirschhorn from Graphic Design to Art (MIT, 2025) and Isa Genzken: Sculpture as World Receiver (Chicago, 2017).
Lisa Lee Ph.D. (2012, Princeton University), is Associate Professor of Art History at Emory University, with a research specialty in sculpture, collage, and assemblage practices in the European and American contexts. She is the author of Thomas Hirschhorn from Graphic Design to Art (MIT, 2025) and Isa Genzken: Sculpture as World Receiver (Chicago, 2017).