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Tamayo
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21 November 2017

Mexican American artist Rufino Tamayo (1899-1991) is best known for his boldy-colored, semi-abstract paintings. This is the first volume to focus on Tamayo's work during his time in New York City, where he lived from the late 1920s to 1949, at a time of unparalleled transatlantic cross-cultural exchange.
Tamayo: The New York Years offers a unique opportunity to trace his artistic development through sixty worksfrom early woodcuts and bold canvasses, through paintings depicting the modern city, to his final dream-like, celestial-themed compositions.
E. Carmen Ramos is the curator of Latino art at the Smithsonian American Art Museum.
Currently, she is organizing Tamayo: The New York Years (2017), an exhibition that will consider the shape and impact of Rufino Tamayo’s significant New York tenure during the first half of the 20th century. She also is writing a monograph about Freddy Rodríguez, part of the A Ver: Revisioning Art History book series published by UCLA’s Chicano Studies Research Center. Ramos organized the exhibition Our America: The Latino Presence in American Art (2013), which is now on a multi-city U.S. tour. The accompanying catalogue received a 2014 co-first prize Award for Excellence by the Association of Art Museum Curators.
Before joining SAAM’s staff, Ramos was an assistant curator for cultural engagement at The Newark Museum and an independent curator. She has curated exhibitions such as The Caribbean Abroad: Contemporary Artists and Latino Migration (2003), which featured the work of Nicolas Dumit Estevez, Scherezade Garcia, Miguel Luciano and Juana Valdes, as well as projects with Franco Mondini-Ruiz, Freddy Rodríguez, Paul Henry Ramirez and Chakaia Booker, among others.
Ramos earned a bachelor’s degree from New York University (1988), and a master’s degree (1995) and a doctorate (2011) from the University of Chicago.
60 full-page colour plates
Illustrated chronology/timeline
Checklist of the Exhibition
Bibliography