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Telling Bodies Performing Birth

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Birth stories, Della Pollock tells us, "are everywhere and nowhere," permeating and haunting our everyday lives. In this remarkable volume Pollock explores the myriad ways in which men and women re...
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  • 14 July 1999
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Birth stories, Della Pollock tells us, "are everywhere and nowhere," permeating and haunting our everyday lives. In this remarkable volume Pollock explores the myriad ways in which men and women recount the ritual performance of giving birth.

Many of these stories, Pollock observes, rise out of the depths of terror, flirting with disaster only to end with a profound sense of relief at what medical discourse calls a "good outcome." Others represent pain, make counterclaims on reproductive technologies, and suggest complex associations between maternity, sexuality, and body politics in the contemporary United States. Pollock retells stories about some of the injustices that structure giving and telling birth––finding there a reckoning with the unknown and unknowable.

Focusing on the performances of birth stories, Pollock writes an intimate ethnography: an account of listening "body to body" to stories that press the borders of cultural critique with virtuosity, possibility, desire, and risk. She draws on cultural criticism, performance studies, and narrative theory to unpack this long-ignored practice. Most striking, however, are the stories presented here: unsanctioned, bold, fragmentary, and often furtive, they both unnerve and inspire even as they realize and resist cultural norms.

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Price: $150.00
Pages: 352
Publisher: Columbia University Press
Imprint: Columbia University Press
Series: Popular Cultures, Everyday Lives
Publication Date: 14 July 1999
ISBN: 9780231109147
Format: Hardcover
BISACs: SOCIAL SCIENCE / Women's Studies, SOCIAL SCIENCE / Sociology / Marriage & Family, SOCIAL SCIENCE / Children's Studies
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Della Pollock is associate professor of communication studies and director of the University Program in Cultural Studies at the University of North Carolina, Chapel Hill. She is coeditor of the journal Cultural Studies and editor ofExceptional Spaces: Essays in Performance and History.

One: Origins in Absence
Two: Narrative Rites
Three: Practicing Pain
Four: Secrets/Doubles