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An Anatomical Venus - which gives this book its title - was an eighteenth-century anatomical wax sculpture of an idealised woman, a heady mix of eroticism, death and biological verisimilitude. Venus could be opened up and pulled apart by all the men who studied her. She would give up her secrets the first time of asking. Helen Ivory’s new collection The Anatomical Venus examines how women have been portrayed as ‘other’; as witches; as hysterics with wandering wombs and as beautiful corpses cast in wax, or on mortuary slabs in TV box sets. A hanged woman addresses the author of the Malleus Maleficarum, a woman diagnosed with ‘Housewife Psychosis’ recounts her dreams to Freud, and a sex robot has the ear of her keeper. The Anatomical Venus imagines the lives of women sketched in asylum notes and pictures others shut inside cabinets of curiosity.
Price: $16.95
Publisher: Bloodaxe Books
Imprint: Bloodaxe Books
Publication Date:
23 May 2019
ISBN: 9781780374697
Format: Paperback
Helen Ivory is a poet and visual artist. She edits the webzine Ink Sweat and Tears, and is a lecturer for the UEA/National Centre for Writing online creative writing programme. She has published five collections with Bloodaxe Books: The Double Life of Clocks (2002), The Dog in the Sky (2006), The Breakfast Machine (2010), Waiting for Bluebeard (2013) and The Anatomical Venus (2019). Fool’s World, a collaborative Tarot with artist Tom de Freston (Gatehouse Press), won the 2016 Saboteur Best Collaborative Work award. A book of collage/ mixed media poems, Hear What the Moon Told Me, was published KFS in 2017, and a chapbook, Maps of the Abandoned City, by SurVision in 2019. She has received an Eric Gregory Award from the Society of Authors, and was awarded Arts Council funding and an Author’s Award from the Society of Authors to work on The Anatomical Venus. She lives in Norwich.